BARENREITER - 345062
Vivaldi Introduzione al Gloria RV 642, Gloria in D major RV 589 (arranged for soloists (SATB), Mixed choir (SATB) and organ)
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- Composer: Antonio Vivaldi
- Publisher: Bärenreiter
- Format: Choral Score
- Binding: Stapled
- Dimensions: 10.6 in x 7.5 in
- Pages: 68
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CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
Arranger: Focke, Martin
Orchestral scoring : Soli/Mixed choir/Org
Product format: organ reduction
Binding: Stapled
Pages / Format: 27,0 x 19,0 cm
Antonio Vivaldi probably composed his famous Gloria in 1725. Although the exact circumstances of its origin remain a riddle, it was definitely conceived as a self-contained concert piece rather than as part of a complete setting of the Mass.
The compositional fabric, the festive character of the outside movements, and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices, choir and organ. Rather than imitating the orchestral writing, Martin Focke’s arrangement offers a self-contained version tailor-made for this combination of instruments, thereby making a pinnacle of European church music accessible to the often more modest resources of today’s churches.
- Standard work of the oratorio repertoire
- Self-contained version for solo voices (SSA), choir (SATB) and organ
- Highly supportive, easy-to-play organ part
- Ideal for use in church services
- Duration: c. 30 mins.
The compositional fabric, the festive character of the outside movements, and the predominance of the strings in the middle movements make this masterpiece of Venetian sacred music a natural choice for an arrangement for solo voices, choir and organ. Rather than imitating the orchestral writing, Martin Focke’s arrangement offers a self-contained version tailor-made for this combination of instruments, thereby making a pinnacle of European church music accessible to the often more modest resources of today’s churches.
- Standard work of the oratorio repertoire
- Self-contained version for solo voices (SSA), choir (SATB) and organ
- Highly supportive, easy-to-play organ part
- Ideal for use in church services
- Duration: c. 30 mins.