Hal Leonard
Tirindelli Andante E Polacca
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
- Composer: Tirindelli Pier Adolfo
- Publisher: Ricordi
- Publisher Code: NR14201600
- Instrumentation: Violin
Choose options
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
The edition of the Andante e Polacca for violin and piano published here was realized from an autograph manuscript held in the library of the Conservatory of Santa Cecilia in Rome.
An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterizes the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece.
The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings.
An inspired melodic vein, with a cantability typical of Late Romantic Italian compositions, characterizes the piece, especially in the first part. The Polacca distinguishes itself for its virtuosity: rapid scales, brilliant bowings and open string passages keep the bowed-string player engaged during the second and longest part of the piece.
The recovery of this composition has occurred during a period which gives particular importance to the rediscovery of works composed in Italy around the turn of the twentieth century, rarely performed in concert series, which can only be fully appreciated through their promotion and dissemination in the form of musical editions and recordings.