BARENREITER - 345062
Rosler Piano Concerto Nr. 2 Es-Dur
Composer: Johann Joseph Rosler
Publisher: Bärenreiter
Format: Full Score
Binding: Paperback
Dimensions: 12.2 in x 9.6 in
Pages: 105
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Rosler Piano Concerto Nr. 2 Es-Dur
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
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Quantity:
Pickup available at Juilliard Store
Usually ready in 4 hours
Rosler Piano Concerto Nr. 2 Es-Dur
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Quantity:
Pickup available at Juilliard Store
Usually ready in 4 hours
Rosler Piano Concerto Nr. 2 Es-Dur
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Editor: Hönigová, Alena
Orchestral scoring : Piano,Fl,2Ob,2bassoon,2Hn,2Trp,Timp,2V,Va,Vc,Db
Product format: Score , Urtext edition
Binding: paperback
Pages / Format: X, 105 S. - 31,0 x 24,3 cm
Johann Joseph Rösler (1771–1812) was a composer, conductor and pianist who was active in Prague and Vienna. Later he was in the service of Prince Franz Joseph von Lobkowitz. His Piano Concerto No. 2 in E-flat major of 1803 is a fitting companion to the piano concertos of Beethoven; indeed, his first Piano Concerto in D major was mistakenly attributed to Beethoven until 1925.
Now Rösler’s second Piano Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Hönigová takes into account the distinctive features of Rösler’s handwriting and the division of parts in the score, as befits the performance practice of his day.
Now Rösler’s second Piano Concerto is appearing in print for the first time. This is due to editor Alena Hönigová discovering and identifying an autograph score which is the only preserved source in the Prague Conservatory archive. In this Urtext edition Hönigová takes into account the distinctive features of Rösler’s handwriting and the division of parts in the score, as befits the performance practice of his day.