CARL FISCHER/PRESSER - 8258
Protocol: A Guide to the Collegiate Audition Process - for Double Bass
Bass
Protocol: A Guide to the Collegiate Audition Process - for Double Bass
Juilliard Store
144 West 66th Street
New York NY 10023
United States
Compiled and edited by Larry Clark and Daniel Schmidt
Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.
Contents:
- Foreword by Joel DiBartolo
- Preface
- About Joel DiBartolo
- About Larry Clark and Daniel Schmidt
- How to Use This Book
- How to Take an Audition
- Ear-Training and Music-Theory Placement Exams
- Considerations for Choosing an Institution
- Repertoire Included on Most Lists of Required Audition Material
- Major Scales and Arpeggios
- Chromatic Scale
- Minor Scales and Arpeggios
- Badinerie from Orchestral Suite No. 2 in B minor, BWV 1067 — Johann Sebastian Bach
- Symphony No. 40 in G minor, K. 550 (movement I) — Wolfgang Amadeus Mozart
- Symphony No. 5, Op. 67 ( movement III) — Ludwig van Beethoven
- Symphonie fantastique, Op. 14 (movement IV) — Hector Berlioz
- Symphony No. 1 in D minor ("Titan") (movement III) — Gustav Mahler
- Etude No. 17 (Tempo di Polacca) from 30 Etudes — Franz Simandl
- Etude No. 24 ( Maestoso) from 86 Etudes, Book I — Josef Hrabe
- Sonata No. 1 in Bb Major for Cello (transcribed for Double Bass) — Antonio Vivaldi
- Concerto in G Major (movement I) — Domenico Dragonetti