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Protocol: A Guide To The Collegiate Audition Process for Cello
Cello
Protocol: A Guide To The Collegiate Audition Process for Cello
Juilliard Store
144 West 66th Street
New York NY 10023
United States
Compiled and edited by Larry Clark and Daniel Schmidt
Providing useful reference and audition material for college-bound string players, the Protocol series was created by college/university music educators and include the most frequently requested audition requirements from many universities. Not only does it help build a player’s repertoire, but it also exposes students to the expectations of the audition process, creating a comfort level that allows for the best audition possible. Students will go into their auditions completely prepared with help from this series.
Contents:
- Foreword by Richard Hughey
- Preface
- About Doris Gazda
- About Larry Clark and Daniel Schmidt
- How to Use This Book
- How to Take an Audition
- Ear-Training and Music- Theory Placement Exams
- Considerations for Choosing an Institution
- Repertoire Included on Most Lists of Required Audition Material
- Major Scales and Arpeggios
- Chromatic Scale
- Minor Scales and Arpeggios
- Symphony No. 35 in D Major ("Haffner"), K. 385 (movement IV) — Wolfgang Amadeus Mozart
- Symphony No. 5 in C Minor, Op. 67 (movement II) — Ludwig van Beethoven
- Scherzo from "A Midsummer Night's Dream, Op. 61" — Felix Mendelssohn
- Symphony No. 2 in D Major, Op. 73 (movement II) — Johannes Brahms
- Symphony No. 8 in G Major, Op. 88 ( movement I) — Antonín Dvořák
- Etude No. 11 from Modern Method for Violoncello, Vol. 2 — Stephen De'ak
- Etude Op. 11, No. 4 — Joseph Merk
- Etude Op. 25, No. 1 — Alfredo Piatti
- Suite No. 1 in G Major for Cello, BWV 1007 — Johann Sebastian Bach
- Scherzo, Op. 12, No. 2 — Daniel François van Goens
- The Swan from "The Carnival of the Animals" — Camille Saint-Saëns
- Concerto No. 1 in A Minor, Op. 33 — Camille Saint Saëns