This beautiful concert aria for bass-baritone with double bass obbligato and orchestral piano reduction is part of the Eugene Levinson Series for Double Bass. Levinson, Principal Bass of the New York Philharmonic, has expertly edited the solo double bass part with enhanced fingerings, bowings, articulations, phrasing and dynamics that allows the bassist to come as close as possible to realizing Mozart’s true musical intentions. A great showpiece for a double bass or vocal recital!