BARENREITER - 345062
Mozart Complete Works for Violin and Piano, Volume II
Wolfgang Amadeus Mozart
Violin
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Mozart Complete Works for Violin and Piano, Volume II
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
-Viennese Sonatas 1781-1788 with fragments and variations-
Editor: Reeser, Eduard
Orchestral scoring : V/piano
Product format: Performance score, part(s), Urtext edition, Anthology
Binding: Paperback
Pages / Format: XIII, 179 , 2 x 55 - 31,0 x 24,3 cm
This new publication contains all the completed works by Wolfgang Amadeus Mozart for Violin and Piano (BA 5761, BA 5762) . Several works by Mozart which are not found in competing editions are presented in the new Bärenreiter Edition with the Urtext of the New Mozart Edition: Sonatas 6–9, Sonatas 26–31, the Andante and Allegretto in C major K. 404 as well as the three sonata fragments K. 372, 403 and 402 completed by Maximilian Stadler .
All this with the Urtext of the New Mozart Edition and in the large format 24,3 x 31 cm, plus a new preface by the Mozart scholar Dietrich Berke.
- Not just some, but all the works for Violin and Piano
- Urtext violin part plus an additional violin part prepared with fingerings and bowings
- Large format 24,3 x 31 cm
- New informative preface by Mozart scholar Dietrich Berke
„The result is impressive, and should have a widerspread appeal among scholars and performers alike… Thankfully, Bärenreiter have made it far easier for amateurs, students and professional musicians alike to choose their own course and free themselves from such intervention.“
(The Concort Summer 2007)
All this with the Urtext of the New Mozart Edition and in the large format 24,3 x 31 cm, plus a new preface by the Mozart scholar Dietrich Berke.
- Not just some, but all the works for Violin and Piano
- Urtext violin part plus an additional violin part prepared with fingerings and bowings
- Large format 24,3 x 31 cm
- New informative preface by Mozart scholar Dietrich Berke
„The result is impressive, and should have a widerspread appeal among scholars and performers alike… Thankfully, Bärenreiter have made it far easier for amateurs, students and professional musicians alike to choose their own course and free themselves from such intervention.“
(The Concort Summer 2007)