BARENREITER - 345062
Hummel Sonata for Pianoforte and Violoncello op. 104
Composer: Johann Nepomuk Hummel
Publisher: Barenreiter
Instrument: Cello
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Hummel Sonata for Pianoforte and Violoncello op. 104
Juilliard Store
Pickup available, usually ready in 2 hours
144 West 66th Street
New York NY 10023
United States
Editor: Kroll, Mark
Orchestral scoring : Vc/piano
Product format: Performance score, part(s), Urtext edition
Binding: Stapled
Pages / Format: X, 35/9 - 31,0 x 24,3 cm
Famous in his day, the Austrian composer and pianist Johann Nepomuk Hummel (1778–1837) studied with Mozart and befriended Beethoven.
Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 – a delightful early Romantic piece in three movements supported by a capricious piano part.
The expressive cello cantilena in the “Romance” will capture the heart of every cellist.
Our edition, edited by Mark Kroll, is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript, which served as a master copy for the engraving.
A comparison of the sources brought to light a number of details overlooked in the first edition, especially with regard to dynamics.
• A must for all cellists and lovers of chamber music
• Notes on performance practice in the Foreword (Ger/Eng)
• Detailed Critical Commentary (Eng)
Among his many works is a relatively late sonata for violoncello and piano composed in 1824 and published in 1826 – a delightful early Romantic piece in three movements supported by a capricious piano part.
The expressive cello cantilena in the “Romance” will capture the heart of every cellist.
Our edition, edited by Mark Kroll, is the first scholarly-critical publication of this sonata. It is based on the first edition of 1826 and the autograph manuscript, which served as a master copy for the engraving.
A comparison of the sources brought to light a number of details overlooked in the first edition, especially with regard to dynamics.
• A must for all cellists and lovers of chamber music
• Notes on performance practice in the Foreword (Ger/Eng)
• Detailed Critical Commentary (Eng)