Johann Jacob Froberger (1617–67) enjoyed an outstanding reputation during his lifetime, as his compositional style represented a synthesis of Italian, French and English influences. There is now a growing awareness that Froberger’s significance for keyboard music of the 17th century is comparable only with that of Jan Pieterszoon Sweelinck.

Each volume contains a critical commentary as well as a detailed foreword with sections on the scope and structure of the new edition, the editorial method and performance practice. Information on contemporary instruments, ornamentation and Froberger’s biography is also included.

Both volumes VI.1 and VI.2 contain music from anonymous copies of the 17th century undoubtedly made from autograph manuscripts which were returned to the Singakademie in Berlin from Kiev in 2001. They also include further new discoveries of manuscripts and compositions.

The New Edition of the Complete Works will comprise a total of eleven volumes.


- Urtext scholarly-critical edition setting new standards
- Reflects the current state of research
- Music from the newly-discovered “ Kiev sources”
- Detailed explanatory notes (Ger/Eng)

·
Vorwort
·
Preface
·
Facsimiles
·
The Berlin Manuscript SA 4450, Part 2:
·
Composer / Author:
Froberger, Johann Jacob
Partita D-Dur FbWV 611
Allemande ... - Courante ... - Sarabande...- Gigue
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita C-Dur FbWV 612
Lamentation faite sur la tres douloureuse Mort de sa Majeste, Ferdinand le Quatriesme - Gigue - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita a-Moll FbWV 608
Allemande - Gigue - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita g-Moll FbWV 609
Allemande - Gigue - Courante - Saraband
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita D-Dur FbWV 620
Meditation faite sur ma mort future - Gigue - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Lamentation, faite sur las tres douloreuse mort de Sa Majeste Imperiale, Ferdinand le Troisieme F-Dur FbWV 633
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita e-Moll FbWV 607
Allemande - Gigue - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita a-Moll FbWV 610
Allemande - Gigue - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
The Berlin Manuscripts SA 4442, 4443, 4444, 4445, 4447 and 4448:
·
Composer / Author:
Froberger, Johann Jacob
Partita "Die Hochstädter Leuchte" f-Moll FbWV 653
Allemande - Courante - Sarabande - Le Double - Gigue
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita "Das Nachtlager" Es-Dur FbWV 654
Allemande - Courante - Sarabande - Le Double - Gigue
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita "Der Naseweise Orgelprobierer" B-Dur FbWV 655
Allemande - Courante - Sarabande - Le Double - Gigue
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita "Der Clavier Trompler" E-Dur FbWV 656
Allemande - Courante - Sarabande - Le Double - Gigue
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Froberger, Johann Jacob
Partita G-Dur FbWV 616a
Allemande - Courante - Sarabande
Instrumentation:
Orgel, Klavier, Cembalo
·
Appendix I. Additional Movements by Other Composers:
·
Composer / Author:
Anonymus
Prelude f-Moll
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Anonymus
Prelude Es-Dur
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Anonymus
Prelude B-Dur
Instrumentation:
Orgel, Klavier, Cembalo
·
Composer / Author:
Anonymus
Prelude E-Dur
Instrumentation:
Orgel, Klavier, Cembalo
·
Appendix II. Spurious Work:
·
Composer / Author:
Anonymus
Praludium ex B. dur
Instrumentation:
Orgel, Klavier, Cembalo
·
Complete Addenda to Volumes I-II
·
Critical Commentary