Figured Harmony at the Keyboard Part 1

R.O. Morris

• Common chords in root position
• First inversions
• Second inversions
• Suspensions
• The chord ofthe seventh in root position
• The first inversion of the seventh
• The remaining inversions of the seventh
• Accented passing notes: simple ornamentation
• Major and minor ninths and diminished sevenths
• The remaining chromaticchords (augmented triad, augmented sixth, Neapolitan sixth)
• Double and triple suspensions
• Rests in the bass