ROWMAN & LITTLEFIELD/SCARECROW PR. - 8108
Experiencing Berlioz
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
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- Author: Melinda P. O'Neal
- Publisher: Rowman & Littlefield Publishers
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CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
CURTAIN CALL · 20% OFF
This copy has spent time on our shelves and may show light wear, such as minor scuffs, bent corners or fading. Discount applied at checkout. All Curtain Call sales are final.
See all Curtain Call
Quantity:
Pickup available at Juilliard Store
Experiencing Berlioz: A Listener’s Companion is an in-depth entrée into the sound world of Hector Berlioz, recognized today as one of the most profoundly original and engaging composers in 19th-century Europe.
Melinda O’Neal offers the non-specialist a pathway into the underlying allure of Berlioz's music. His views on rehearsing and conducting, bumpy career ride and failures, the journey of a work through revisions and editions, and historical performance practices provide a backdrop to discussions of his most significant works.
As O’Neal addresses the motivation and conception, sonic atmosphere, and compositional strategies of key works, she provides a new multifaceted experience not only to music historians and performers but also to any amateur music lover who has ever been entranced by Berlioz’s undeniable musical veracity. As the listener interacts with Berlioz's music, the ear's curiosity and imagination will take flight.
Melinda O’Neal offers the non-specialist a pathway into the underlying allure of Berlioz's music. His views on rehearsing and conducting, bumpy career ride and failures, the journey of a work through revisions and editions, and historical performance practices provide a backdrop to discussions of his most significant works.
As O’Neal addresses the motivation and conception, sonic atmosphere, and compositional strategies of key works, she provides a new multifaceted experience not only to music historians and performers but also to any amateur music lover who has ever been entranced by Berlioz’s undeniable musical veracity. As the listener interacts with Berlioz's music, the ear's curiosity and imagination will take flight.

