Vining Ear Training for Trumpet

CARL FISCHER/PRESSER - 8258

Vining Ear Training for Trumpet

David Vining

Trumpet
$22.99
SKU: WF82
Quantity:
Pickup available at Juilliard Store Usually ready in 4 hours

Vining Ear Training for Trumpet

Juilliard Store

Pickup available, usually ready in 4 hours

144 West 66th Street
New York NY 10023
United States

+12127995000

Instrumentation

  • Trumpet in B flat

Ear Training for Trumpet is one of the first methods to integrate performance on the instrument with singing to enable the player to internalize the music. Written by David Vining, a leading brass educator with extensive orchestral, chamber, and solo performance experience, Ear Training for Trumpet is a comprehensive and progressively organized method for improving the ear of students on any brass instrument. In turn, this brings marked improvement in tone, intonation, pitch accuracy, and musical understanding. The book contains more than 70 exercises in pitch, scales, arpeggios, and intervals, including melodious etudes and orchestral excerpts. A brass equivalent of the ear training method is long overdue, and this book is appropriate for not only young students, but brass students of all ages.

Foreword by David R. Hickman


Introduction


About David Vining


I. Preliminary Studies


I. 1. Basic Pitch Matching (1)


I. 2. Basic Pitch Matching (2)


I. 3. Basic Pitch Matching with No Rest Before Singing


I. 4. Basic Pitch Matching: Scale-wise


I. 5. Two Familiar Songs


I. 6. Ode to Joy from Symphony No. 9


II. Intermediate Studies


II. 7. Scale-wise D Major


II. 8. Scale-wise Major/Minor


II. 9. Scale-wise Bb Major


II. 10. Amazing Grace


II. 11. Scale-wise Bb Major


II. 12. Scale-wise D Major and B Minor


II. 13. Scale-wise F Major: Singing Every Other Note


II. 14. Scale-wise B Major


II. 15. Danny Boy


II. 16. Scale-wise Major/Minor: Singing Every Other Note


II. 17. Scales and Arpeggios


II. 18. F#-Minor Chant


II. 19. E-Dorian Chant


II. 20. O Come, O Come Emmanuel


III. Advanced Studies


III. 21. F Major Arpeggio


III. 22. Major/Minor Scales


III. 23. Sonata in G (Movement I)


III. 24. I-IV-V7


III. 25. Scales/Arpeggios/Thirds: E Major/C# Minor


III. 26. Etude in G Major


III. 27. Lip Slurs


III. 28. 'Tis the Gift to be Simple


III. 29. Circle of Fourths


III. 30. Interval Study


III. 31. G Major Intervals


III. 32. Diminished Triads


III. 33. Octatonic Scale


III. 34. Whole Tone Scale


IV. Intervals


IV. 35. Scale-wise Widening Intervals


IV. 36. Chromatic Widening Intervals


IV. 37. Chromatic Intervals


IV. 38. Thirds (1)


IV. 39. Thirds (2)


IV. 40. Fourths


IV. 41. Fifths


IV. 42. Ascending Sixths


IV. 43. Descending Sixths


IV. 44. Ascending Sevenths


IV. 45. Descending Sevenths


IV. 46. Tritones


IV. 47. Wide Intervals


IV. 48. Random Intervals


V. Arpeggios


V. 49. Major Arpeggios (1)


V. 50. Major Arpeggios (2)


V. 51. Minor Arpeggios


V. 52. Major and Minor Arpeggios (1)


V. 53. Major and Minor Arpeggios (2)


V. 54. I-IV-V7


V. 55. I-IV-ii-V7


V. 56. I-IV-V Inverted


V. 57. ii-V-I Jazz Style


V. 58. Diminished Arpeggios


V. 59. Augmented Arpeggios


V. 60. Dominant-Seventh Arpeggios


V. 61. Seventh Arpeggios


V. 62. Mixed Arpeggios


VI. Melodious Etudes: Bordogni


VI. 63. No. 2


VI. 64. No. 5


VI. 65. No. 6


VI. 66. No. 12


VI. 67. No. 15


VII. Orchestral Excerpts


VII. 68. Prelude to Act I from the Opera Carmen


VII. 69. Promenade from Pictures at an Exhibition


VII. 70. Symphony No. 5 (Trauermarsch) Movement I


VII. 71. Neapolitan Dance from the Ballet Swan Lake