BARENREITER - 345062
Dvorak Concerto for Violoncello and Orchestra B minor op. 104 (Arrangement for Violoncello and Piano by the Composer)
Antonin Dvorak
Cello
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Dvorak Concerto for Violoncello and Orchestra B minor op. 104 (Arrangement for Violoncello and Piano by the Composer)
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Editor: Del Mar, Jonathan
Arranger: Dvorák, Antonín
Orchestral scoring : Vc-solo/Fl1/Fl2(Fl-picc)/2 Ob/2 clarinet/2 bassoon/3 Hn/2 Trp/3 trombone/Tb/timpani/Tri/2 V/Va/Vc/double bass
Product format: piano reduction, part(s), Urtext edition
Binding: Stapled
Pages / Format: 48/21 - 32,5 x 25,5 cm
Like every other great 19th-century solo concerto, Dvorák’s famous Cello Concerto was a collaboration between composer and virtuoso. It has long been known that certain solo passages in Dvorák’s autograph score were actually written by the cellist Hanuš Wihan; but Bärenreiter’s edition now reveals that some details in the orchestral parts are also in his writing, showing just how closely the two musicians were working together.
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák’s final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák’s final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Dvorák’s original piano reduction
• With Feuermann's and Casals' alternatives to a passage in the first movement
The editor Jonathan Del Mar has painstakingly examined all the surviving sources, including two that have hitherto been either ignored or crucially undervalued, in order to produce an authoritative edition which restores – for the first time since the original edition was published in 1896 - Dvorák’s final and definitive version of the solo cello part. This differs, in details, in almost every bar from the version found in all other modern editions, while hundreds of corrections have also been made to the orchestral parts.
• With Dvorák’s final and definitive version of the solo cello part
• With hundreds of corrections in the solo cello part as well as the orchestral parts
• With hitherto unknown details regarding the collaboration between Dvorák and Wihan
• With Dvorák’s original piano reduction
• With Feuermann's and Casals' alternatives to a passage in the first movement