![Bach Die Gesänge zu G.Chr.Schemellis Gesangbuch und 6 Lieder aus dem Klavierbüchlein für Anna Magdalena BWV 439-507, 511-514, 516, 517 -Ausgabe für tiefe Singstimme (Originallage)-](http://juilliardstore.com/cdn/shop/products/lrg_01_4dad71a3-08f0-4f31-bfc8-e4e0f3cdb3a1_940x.jpg?v=1706822547)
![Bach Die Gesänge zu G.Chr.Schemellis Gesangbuch und 6 Lieder aus dem Klavierbüchlein für Anna Magdalena BWV 439-507, 511-514, 516, 517 -Ausgabe für tiefe Singstimme (Originallage)-](http://juilliardstore.com/cdn/shop/products/lrg_01_5fd11664-7572-459b-871e-b046a963865a_940x.jpg?v=1600152870)
![Bach Die Gesänge zu G.Chr.Schemellis Gesangbuch und 6 Lieder aus dem Klavierbüchlein für Anna Magdalena BWV 439-507, 511-514, 516, 517 -Ausgabe für tiefe Singstimme (Originallage)-](http://juilliardstore.com/cdn/shop/products/lrg_02_cd4bc01d-5fbb-4c02-9de9-8a2811b484ca_940x.jpg?v=1600152870)
Bärenreiter
Bach Die Gesänge zu G.Chr.Schemellis Gesangbuch und 6 Lieder aus dem Klavierbüchlein für Anna Magdalena BWV 439-507, 511-514, 516, 517 -Ausgabe für tiefe Singstimme (Originallage)-
Johann Sebastian Bach
Voice
Quantity:
Pickup available at Juilliard Store
Usually ready in 2 hours
Bach Die Gesänge zu G.Chr.Schemellis Gesangbuch und 6 Lieder aus dem Klavierbüchlein für Anna Magdalena BWV 439-507, 511-514, 516, 517 -Ausgabe für tiefe Singstimme (Originallage)-
Juilliard Store
Pickup available, usually ready in 2 hours
144 West 66th Street
New York NY 10023
United States
Editor: Raphael, Günter
Orchestral scoring : tvoice/harpisc./piano/Org
Product format: singing score
Binding: Paperback
Pages / Format: 78 - 27,0 x 19,0 cm
Georg Christian Schemelli (around 1680–1762) was a pupil at the Leipzig St. Thomas School and later became cantor at the palace in Zeitz. He owes his fame to the fact that in 1763, he convinced Johann Sebastian Bach to contribute to his Musikalisches Gesang-Buch. Bach provided the figured bass for 69 melodies, as well as contributing some of his own melodies. Exactly how many and which ones he wrote is not known with certainty, as not all composers’ names were included.
The arioso-like quality of these songs makes them especially charming and sets them apart from the customary sacred songs and chorales of their time, allowing singers to create a much more intimate and individual interpretation.
The arioso-like quality of these songs makes them especially charming and sets them apart from the customary sacred songs and chorales of their time, allowing singers to create a much more intimate and individual interpretation.