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Schumann's Virtuosity Criticism, Composition, and Performance in Nineteenth-Century Germany
Author: Alexander Stefaniak
Publisher: Indiana University Press
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Schumann's Virtuosity Criticism, Composition, and Performance in Nineteenth-Century Germany
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Quantity:
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Schumann's Virtuosity Criticism, Composition, and Performance in Nineteenth-Century Germany
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Quantity:
Pickup available at Juilliard Store
Usually ready in 4 hours
Schumann's Virtuosity Criticism, Composition, and Performance in Nineteenth-Century Germany
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western "art music" well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.