W. W. NORTON & COMPANY - 393
Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series)
Author: Daniel Albright
Publisher: Yale University Press
Pickup currently unavailable at Juilliard Store
Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series)
Juilliard Store
Pickup currently unavailable
144 West 66th Street
New York NY 10023
United States
Choose options
Pickup currently unavailable at Juilliard Store
Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series)
Juilliard Store
Pickup currently unavailable
144 West 66th Street
New York NY 10023
United States
Pickup currently unavailable at Juilliard Store
Panaesthetics: On the Unity and Diversity of the Arts (The Anthony Hecht Lectures in the Humanities Series)
Juilliard Store
Pickup currently unavailable
144 West 66th Street
New York NY 10023
United States
While comparative literature is a well-recognized field of study, the notion of comparative arts remains unfamiliar to many. In this fascinating book, Daniel Albright addresses the fundamental question of comparative arts: Are there many different arts, or is there one art which takes different forms? He considers various artistic media, especially literature, music, and painting, to discover which aspects of each medium are unique and which can be “translated” from one to another. Can a poem turn into a symphony, or a symphony into a painting?
Albright explores how different media interact, as in a drama, when speech, stage decor, and music are co-present, or in a musical composition that employs the collage method of the visual arts. Tracing arguments and questions about the relations among the arts from Aristotle’s Poetics to the present day, he illuminates the understudied discipline of comparative arts and urges new attention to its riches.
Albright explores how different media interact, as in a drama, when speech, stage decor, and music are co-present, or in a musical composition that employs the collage method of the visual arts. Tracing arguments and questions about the relations among the arts from Aristotle’s Poetics to the present day, he illuminates the understudied discipline of comparative arts and urges new attention to its riches.