BARENREITER - 345062
Mozart Missa C major K. 317 "Coronation Mass"
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Mozart Missa C major K. 317 "Coronation Mass"
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Editor: Holl, Monika
Arranger: Focke, Martin
Orchestral scoring : SSolo/ASolo/TSolo/BSolo/Mixed choir-SATB/2Ob/2Hn/2Trp/3trombone/timpani/2V/Bassi(Vc/double bass/bassoon)/Org
Language(s) of work: L
Language(s) of text: L
Product format: vocal score, Urtext edition
Binding: Stapled
Pages / Format: 52 - 27,0 x 19,0 cm
In January 1779 Mozart started his new position as court organist in Salzburg which entailed the composition of numerous sacred works. The autograph of his “Missa in C major” K. 317 – known as the “Coronation Mass” since the 19th century – was dated “li 23 marzo 1779”. This was noted in the composer’s hand at the beginning of the “Kyrie”. Possible dates of the premiere can be deduced from the dates of the Easter holidays in 1779 so it would have been either on 4 or 5 April.
Mozart probably wanted to showcase his musical skills with the composition of the mass, the scale and instrumentation of which is very grandiose and not at all modest.
The nickname “Coronation Mass” refers to various coronation ceremonies after Mozart’s death during which the work was performed. However, the legend that the mass was composed for the occasion of a remembrance celebration for the crowning of the image of the Virgin at Maria Plain outside of Salzburg is still being told today.
Mozart probably wanted to showcase his musical skills with the composition of the mass, the scale and instrumentation of which is very grandiose and not at all modest.
The nickname “Coronation Mass” refers to various coronation ceremonies after Mozart’s death during which the work was performed. However, the legend that the mass was composed for the occasion of a remembrance celebration for the crowning of the image of the Virgin at Maria Plain outside of Salzburg is still being told today.