BARENREITER - 345062
Mendelssohn Psalm "Non noto Domine" / "Nicht unserm Namen, Herr" op. 31 MWV A 9
Felix Mendelssohn
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Mendelssohn Psalm "Non noto Domine" / "Nicht unserm Namen, Herr" op. 31 MWV A 9
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Editor: Cooper, John Michael
Arranger: Mendelssohn Bartholdy, Felix
Orchestral scoring : SSolo/TSolo/BarSolo/Mixed choir-SSAATTBB/2Fl/2Ob/2clarinet/2bassoon/2Hn/2V/Va/Vc/double bass
Language(s) of work: L/D
Product format: vocal score, Urtext edition
Binding: Stapled
Pages / Format: IX, 45 - 27,0 x 19,0 cm
The first great orchestral psalm
Mendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.
Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.
This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath.
Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.
The piano reduction stems from Mendelssohn himself.
• Informative Foreword in the score (Ger/Eng)
• Text underlay in two languages (Lat/Ger)
• Piano reduction by the composer
Mendelssohn’s first great orchestral psalm took almost six years to complete, from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.
Unlike his other orchestral psalms, Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation, he made use of Psalm 115 from the Luther Bible.
This edition by the leading Mendelssohn authority John Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis, the vocal parts are underlaid with the Latin text, and the German text appears underneath.
Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.
The piano reduction stems from Mendelssohn himself.
• Informative Foreword in the score (Ger/Eng)
• Text underlay in two languages (Lat/Ger)
• Piano reduction by the composer