BARENREITER - 345062
Dvorak Piano Trio Opus 90 (Dumky)
Composer: Antonin Dvorak
Publisher: Barenreiter
Instrument: Mixed
Quantity:
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Dvorak Piano Trio Opus 90 (Dumky)
Juilliard Store
Pickup available, usually ready in 2 hours
144 West 66th Street
New York NY 10023
United States
Editor: Flamm, Christoph
Orchestral scoring : piano/V/Vc
Product format: Performance score, part(s), Urtext edition
Binding: Paperback
Pages / Format: XX, 79/12/13 - 31,0 x 24,3 cm
The “dumka” is a Slavic folk song or dance of a melancholy character.
Dvorák’s magnum opus in the piano trio genre takes its name from its “dumka” movements, which he composed in Prague in 1890-91.
After long hesitation Dvorák also prepared a piano reduction while he was in the United States in the summer of 1893.
The previous year he had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.
The editor of our new edition, Christoph Flamm, took the Simrock print as his starting point.
However he also carefully distinguished between the various reissues and consulted Dvorák’s sketches as well as his piano reduction.
A Critical Commentary provides detailed information on the work’s sources, tempo markings and formal divisions of the movements.
• Urtext edition reflecting the latest musicological research
• Detailed preface (Ger/Cz/Eng) and Critical Commentary
(Eng) by the editor
• Contains previously unknown music (draft version of dumka no. 3)
Dvorák’s magnum opus in the piano trio genre takes its name from its “dumka” movements, which he composed in Prague in 1890-91.
After long hesitation Dvorák also prepared a piano reduction while he was in the United States in the summer of 1893.
The previous year he had played the work on a forty-concert farewell tour of Bohemia with Ferdinand Lachner and Hans Wihan.
The editor of our new edition, Christoph Flamm, took the Simrock print as his starting point.
However he also carefully distinguished between the various reissues and consulted Dvorák’s sketches as well as his piano reduction.
A Critical Commentary provides detailed information on the work’s sources, tempo markings and formal divisions of the movements.
• Urtext edition reflecting the latest musicological research
• Detailed preface (Ger/Cz/Eng) and Critical Commentary
(Eng) by the editor
• Contains previously unknown music (draft version of dumka no. 3)