BREITKOPF & HARTEL - 15131
Campogrande Preludi da Viaggio (Travel Preludes)
Composer: Nicola Campogrande
Publisher: Breitkopf & Härtel
Instrumentation: Piano
Binding: Stapled
Dimensions: 9 in x 12 in
Pages: 8
Quantity:
Pickup available at Juilliard Store
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Campogrande Preludi da Viaggio (Travel Preludes)
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
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Quantity:
Pickup available at Juilliard Store
Usually ready in 4 hours
Campogrande Preludi da Viaggio (Travel Preludes)
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
Quantity:
Pickup available at Juilliard Store
Usually ready in 4 hours
Campogrande Preludi da Viaggio (Travel Preludes)
Juilliard Store
Pickup available, usually ready in 4 hours
144 West 66th Street
New York NY 10023
United States
The Travel Preludes are three short pieces ideally conceived for opening a concert.
The first, Urgent Call, is like a bell calling the audience and stressing the importance — and at times the urgency — of making music.
The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice.
The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself.
The first, Urgent Call, is like a bell calling the audience and stressing the importance — and at times the urgency — of making music.
The second prelude, The Art of Taking a Seat, has to do with that carefulness, kindness and attention the attendance of a concert requires from the audience. Because to take a seat, to concentrate and to open heart and mind to the music is an art everybody should practice.
The third piece, In Praise of Discretion, is an homage to all those musicians, who enter the stage without pretensions or theatrics, being able to concentrate on nothing but the music itself.