BARENREITER - 345062
Berlioz Les Troyens Holoman 133 -Grand Opéra en cinq actes- (Die Trojaner)
Composer: Hector Berlioz
Publisher: Barenreiter
Instrument: Voice
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Berlioz Les Troyens Holoman 133 -Grand Opéra en cinq actes- (Die Trojaner)
Juilliard Store
Pickup available, usually ready in 2 hours
144 West 66th Street
New York NY 10023
United States
Editor: Macdonald, Hugh
Arranger: Wernhard, Eike
Orchestral scoring : 3SSolo/2MezSolo/ASolo/4TSolo/2BarSolo/7BSolo/Mixed choir: SSTTBB/Fl-Picc/2Fl/Fl-Picc/2Ob/2clarinet/4bassoon/4Hn/2Trp/2Pist/3trombone/Op/Tb/timpani/percussion/6/8harp/Str/Bühnenmusik: 3Ob/3trombone/9Saxhorns/timpani/percussion
Product format: vocal score, Urtext edition
Binding: Hardback
Pages / Format: XIII, 580 - 27,5 x 20,0 cm
The vocal score to “Les Troyens ” presents the text Berlioz conceived as a great five act opera. During the composition of this work between 1856 and 1858 and up until June 1863, Berlioz perceived “Les Troyens ” as one opera. Because of performance difficulties, the composition had to be divided into two operas, “La Prise de Troie ” and “Les Toyens à Carthage ”.
Berlioz began to write the libretto in Paris in April 1856 and completed it on June 26th of that same year. The dramatic material of acts III-V is taken from books 1 and 4 of Virgil's “ Aeneid ”.
The two trojan acts are loosely based on books 1 and 2 by Virgil.
Berlioz wrote in May 1861: “I am sure that I have created a great work, greater and superior to anything I have ever written before”.
The vocal score is based on the three-volume New Berlioz Edition and also on the one-volume vocal score edition that under Berlioz’s supervision, was privately printed in 1861-62 and then distributed. The appendix contains two complete scenes: The Sinon scene from the first act and the original finale from the fifth act. scenes: The Sinon scene from the first act and the original finale from the fifth act.
Berlioz began to write the libretto in Paris in April 1856 and completed it on June 26th of that same year. The dramatic material of acts III-V is taken from books 1 and 4 of Virgil's “ Aeneid ”.
The two trojan acts are loosely based on books 1 and 2 by Virgil.
Berlioz wrote in May 1861: “I am sure that I have created a great work, greater and superior to anything I have ever written before”.
The vocal score is based on the three-volume New Berlioz Edition and also on the one-volume vocal score edition that under Berlioz’s supervision, was privately printed in 1861-62 and then distributed. The appendix contains two complete scenes: The Sinon scene from the first act and the original finale from the fifth act. scenes: The Sinon scene from the first act and the original finale from the fifth act.