{"title":"New Publications","description":"Check out what's new at the Juilliard Store.","products":[{"product_id":"mendelssohn-early-pieces-for-violin-piano","title":"Mendelssohn: Early Pieces for Violin \u0026 Piano","description":"\u003cp\u003eMendelssohnʼs relationship with the violin was a special one. Although he had a profound command of this instrument and throughout his life was often heard playing the violin and even the viola, his main focus remained on his principal instrument, the piano. This edition is dedicated exclusively to Mendelssohnʼs early works for violin and piano from the years 1819 to 1821. They were written during Mendelssohnʼs composition studies with Carl Friedrich Zelter and have been handed down to us in his music books.\u003c\/p\u003e\n\u003cp\u003eThe five short pieces are now available in an Urtext edition based on the Leipzig Mendelssohn Edition. Compared to other works by Mendelssohn, they are of moderate difficulty and thus perfectly suitable for piano and violin students.\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50332274098462,"sku":"EB-9556","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/5d59d570a06c71c02685129e9d987fa3.webp?v=1762873631"},{"product_id":"songs-by-european-women-composers","title":"Songs by European Women Composers","description":"\u003cp\u003e\u003cspan\u003eThis collection of songs is the result of the Erasmus+ project \u003c\/span\u003e\u003cem\u003eVoices of Women\u003c\/em\u003e\u003cspan\u003e : a consortium of various European colleges and universities that have explored the songs of women composers in theory, practice and interpretation. The selection of these art songs gives all singers access to the poems set to music, as they are suitable for both educational and professional artistic purposes. The compositions cover a period of about 100 years, from the mid-19th to the mid-20th century, and each is captivating in its own way due to the close connection between music and poetry.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50332274491678,"sku":"EB-9560","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/2f822a7119c80326cbf1144ba4c1dcdd.webp?v=1762873791"},{"product_id":"kuhnau-welt-adieu-ich-bin-dein-mude-vocal-score","title":"Kuhnau: Welt adieu, ich bin dein müde (Vocal Score)","description":"\u003cp\u003eThe cantata\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWelt adieu, ich bin dein müde\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis intended for the 24th Sunday after Trinity, being part of the end of the church year. Based on the scribes of the handwritten set of parts, the editor assumes that it was performed around 1720. The cantata therefore falls into the last years of Kuhnau’s life and can also be considered a kind of “swan song” of Kuhnau’s due to its fitting theme of death and eternity. It is also one of only two surviving pure choral cantatas, even if others are also partly based on chorales.\u003c\/p\u003e\n\u003cp\u003eThe text of the chorale used was written by Johann Georg Albinus (1624–1679), a priest and rector of the cathedral school in Naumburg. He wrote it for the funeral of a daughter of the St. Thomas school rector Abraham Teller in 1649. For the current edition, three of the five vocal parts that were missing from the set of parts were added by the editor. The alternation between “tutti” and “solo” passages in the opening and closing movements suggest the scoring of a choir. Due to its length and manageable orchestration, this cantata is also ideally suited for performance in a church service.\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50332275376414,"sku":"EB-32092","price":22.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/Screenshot2025-11-11101504.png?v=1762874127"},{"product_id":"monteverdi-lamento-darianna","title":"Monteverdi: Lamento d'Arianna","description":"\u003cp\u003e\u003cspan\u003eThe fame of the \"Lamento d'Arianna\" from Claudio Monteverdi's opera \"Arianna\" of 1608 spread quickly among music lovers. This led the composer, as early as 1614, to publish a five-part madrigal version in his 6th book of madrigals for domestic music-making, as it were. in doing so, he drew on the melodic and harmonic substance of the original and illuminated above all the lyrical aspects of the dramatic text. To this day, this version is able to captivate performers and audiences with its combination of literary depth and emotionally expressive singing.\u003c\/span\u003e\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442687283486,"sku":"BA08797","price":29.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/ed03a965b0c5cb1f15ecb1e12a445abe.webp?v=1766071623"},{"product_id":"ravel-la-valse-full-score","title":"Ravel: La Valse (Full Score)","description":"\u003cp\u003eIn 1906, Maurice Ravel wrote in a letter: \"What I am currently working on is not particularly demanding: a great waltz, a kind of homage to the memory of the great Strauß, not Richard, but Johann. You know my lively enthusiasm for these marvellous rhythms [... ].\" However the work was still subject to changes until its completion and premiere fourteen years later: Initially intended to be called \"Vienna\", it was given the new name \"La Valse\" after the First World War. Although it might have functioned as a ballet, after the rejection by Serge Diaghilev, impresario of the Paris Ballets Russes, it was ultimately turned into an orchestral piece.\u003c\/p\u003e\n\u003cp\u003eFor his scholarly-critical edition, editor Douglas Woodfull-Harris has drawn on a large number of manuscript and printed sources of all instrumentations and transcriptions of \"La Valse\". of particular importance is orchestral material from the San Francisco Symphony Orchestra, which was used for performances conducted by Ravel in 1928.\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442689413406,"sku":"BA09043","price":100.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/7df6466da9d5897b29a7caee23e64b8e.webp?v=1766071829"},{"product_id":"martinu-romance-for-violin-and-piano-h-186bis","title":"Martinů: Romance for Violin and Piano, H 186bis","description":"\u003cp\u003eUntil recently, the existence of Bohuslav Martinů's \"Romance for Violin and Piano\" H 186bis, composed in 1930, was entirely unknown, especially since the composer himself had not mentioned the work in any of his handwritten catalogues of works. in 2022, Natálie Krátká, a musicologist from the Bohuslav Martinů Institute in Prague, discovered the composition by chance in the National Library of Israel in Jerusalem – a truly unique find of a completely unknown work from the estate of the French photographer of Boris Lipnitzky of Ukrainian-Jewish origin, with whom Martinů was friends during his stay in Paris.\u003c\/p\u003e\n\u003cp\u003eThe short, delicately melancholy work received its world premiere on 10 January 2023 at the Wigmore Hall in London and was performed by Frank Peter Zimmermann and Martin Helmchen. The \"Romance\" is now appearing in print for the first time.\u003c\/p\u003e\n\u003cp\u003eWith this publication, the violin repertoire is enriched by a further work by Martinů. Due to its short duration (approx. three minutes), it is well-suited as an encore piece and, thanks to its technically not so demanding violin part, it can also be played by the less advanced violinist.\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442696655134,"sku":"BA11581","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/da753f8053f2511c01b29c1129af4706_6166cdce-bc14-444c-a483-72eb49850f25.webp?v=1766072058"},{"product_id":"handel-jubilate-zur-feier-des-friedens-von-utrecht-hwv-279-vocal-score","title":"Handel: Jubilate zur Feier des Friedens von Utrecht, HWV 279 (Vocal Score)","description":"\u003cp\u003eThe \"Utrecht Jubilate\" was composed in 1713 in celebration of the Peace of Utrecht, which ended the War of the Spanish Succession. The \"Utrecht Te Deum\" was written shortly beforehand and the premiere of both works took place in St. Paul's Cathedral in London. This was so successful that regular performances followed over the next few years. This new edition is based on the Urtext of the \"Halle Handel Edition\".\u003c\/p\u003e\n\u003cp\u003eThe work can be ideally combined with the \"Utrecht Te Deum\" which is also available in a Bärenreiter Urtext edition (BA04246).\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442701472030,"sku":"BA10268-90","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/e1ab32b328c05b2906b761a63238f7fe.webp?v=1766072428"},{"product_id":"gluck-french-operatic-arias-for-tenor","title":"Gluck: French Operatic Arias for Tenor","description":"\u003cp\u003eThis volume for tenor is published in collaboration with the Centre de musique baroque de Versailles (CMBV) as part of the collection presenting all arias from French-language operas by opera reformer Christoph Willibald Gluck that were composed for the Académie royale de musique in Paris.\u003c\/p\u003e\n\u003cp\u003eThe informative text sections include a bilingual Foreword (Fr\/Eng), a brief account of the dramatic context as well as a literal English translation of each aria. This is a comprehensive collection of works by an important18th-century opera composer for opera singers and voice students, ideal for study auditions and recitals.\u003c\/p\u003e\n\u003cp\u003eThe edition contains arias from: Iphigénie en Aulide (1774) \/ Orphée et Eurydice (1774) L'Arbre enchanté (1775) \/ Cythere assiégée (1775) \/ Alceste (1776) \/ Armide (1777) \/ Iphigénie en Tauride (1779) \/ Écho et Narcisse (1779)\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442709893406,"sku":"BA08168","price":71.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/49edff4c9573383136d19854c27c18cb.webp?v=1766072594"},{"product_id":"handel-jubilate-zur-feier-des-friedens-von-utrecht-hwv-279-full-score","title":"Handel: Jubilate zur Feier des Friedens von Utrecht, HWV 279 (Full Score)","description":"\u003cp\u003eThe \"Utrecht Jubilate\" was composed in 1713 in celebration of the Peace of Utrecht, which ended the War of the Spanish Succession. The \"Utrecht Te Deum\" was written shortly beforehand and the premiere of both works took place in St. Paul's Cathedral in London. This was so successful that regular performances followed over the next few years. This new edition is based on the Urtext of the \"Halle Handel Edition\".\u003c\/p\u003e\n\u003cp\u003eThe work can be ideally combined with the \"Utrecht Te Deum\" which is also available in a Bärenreiter Urtext edition (BA04246).\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442715857182,"sku":"BA10268","price":62.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/e339247fc4ca196a4b72bb4ed09e9280_cecf5fea-90f5-4e1e-b9b9-aef7b147850d.webp?v=1766072666"},{"product_id":"tartini-larte-dellarco","title":"Tartini: L'arte dell'arco (The Art of Bowing)","description":"\u003cp\u003eGiuseppe Tartini invented \"many different kinds and difficulties of bowing, which distinguishes his performance from all others\" – said Johann Joachim Quantz about the Italian violinist in 1752. in his work \"L'arte dell'arco\", Tartini explores a gamut of playing techniques and bowing in the form of a cycle of variations for solo violin with basso continuo accompaniment ad libitum, on a gavotte by Arcangelo Corelli (from the Violin Sonata, Op. 5, No. 10). Since its composition – probably in the late 1720s – \"L'arte\" has been an important source for baroque playing techniques and forms an indispensable collection of etudes for advanced lessons.\u003c\/p\u003e\n\u003cp\u003eThis critical edition contains not only the 40 variations as they have been handed down in three partly fragmentary copies from Tartini's circle and the (unauthorised) Le Clerc print of 1757, but also 17 variations (possibly early versions) from the earliest edition of \"L'arte\" published by Boivin in Paris in 1748 as well as 12 variations that are only available in an edition published by Marescalchi in Naples in 1788.\u003c\/p\u003e\n\u003cp\u003eThis performing edition, edited by Matteo Cossu, corresponds to the Urtext of the respective volume (BA11673-01) of the \"Giuseppe Tartini – Edizione nazionale delle opere musicali\" and contains a historical Introduction (Ital\/Ger\/Eng), a Critical Commentary (Eng) as well as continuo realizations of the theme in the violin part.\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442719265054,"sku":"BA10791","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/516f8750553559a3fa0816148ce93250.webp?v=1766072895"},{"product_id":"schubert-lieder-volume-11","title":"Schubert: Lieder - Volume 11","description":"\u003cp\u003e\u003cspan\u003eVolume 11 of the Bärenreiter Urtext edition of Schubert's lieder seamlessly follows on from the preceding volume with nine songs that were written between August and November 1817. Also included are the complete lieder from 1818 to 1819. for Schubert, these were years of crisis and new beginnings. He left his parental home for good, turned away from established models in his instrumental compositions and went in search of new themes, drawing not only on poets familiar to him, such as Johann Mayrhofer or Aloys Wilhelm Schreiber, but also on authors unknown to him, such as Franz Grillparzer or Johann Petrus Silbert. A significant role in his lied compositions during these years is played by cyclical forms, such as the four songs on hymns by Novalis or the three songs that form an entity based on texts by Mayrhofer, all of which are contained in this volume.\u003c\/span\u003e\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442721853726,"sku":"BA09111","price":62.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/d273e45991f9840b919a7b85796e5b8f.webp?v=1766073075"},{"product_id":"rachmaninoff-works-for-violin-and-piano","title":"Rachmaninoff: Works for Violin and Piano","description":"\u003cp\u003eAlthough Sergei Rachmaninoff only left behind a relatively small oeuvre for string instrument and piano in comparison to his more substantial groups of works, these few works date from all phases of his compositional activity. Their patrons, dedicatees and important performers often came from his closest musical circle.\u003c\/p\u003e\n\u003cp\u003eThe chamber music for violin and piano includes the \"Morceaux de salon\", Op. 6 (consisting of \"Romance\" and \"Danse hongroise\"), a \"Romance\" in A Minor that was only published posthumously and Rachmaninoff's arrangement of Modest Mussorgsky's \"Hopak\", the finale of his unfinished opera \"The Sorochyntsi Fair\". These works were written as part of his friendship or indeed collaboration with violinists such as Julius Conus (1869–1942) and probably Fritz Kreisler (1875–1962).\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50442800234782,"sku":"BA09995","price":44.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/17410fca65e1a3467866b7531e4982ce.webp?v=1766074398"},{"product_id":"sibelius-kullervo-op-7-vocal-score","title":"Sibelius: Kullervo, Op. 7 (Vocal Score)","description":"\u003cp\u003eWith the world premiere of Kullervo in 1892, Jean Sibelius staked his claim at the age of 27 to the front ranks of the symphonists of his day, long before he began writing his purely instrumental symphonies and tone poems. At the same time, he defined himself as a modern-day Finnish composer through his choice of the text from the \"Kalevala\" epic, whose title role he interpreted with modern psychological means. By the time Sibelius was celebrating his Major international triumphs in the early 20th century, his Symphony \"No. 0\" was long forgotten. After a provisory first edition of \"Kullervo\" in 1966, the work quickly gained the esteem of Sibelius conductors who also performed the work with the Finnish vocal text outside of their native country. Yet in spite of pioneer recordings such as those of Paavo Berglund, Colin Davis, Jukka-Pekka Saraste, Esa-Pekka Salonen and Osmo Vänskä, the grandiose work had not been adequately present in international concert life up to now – not least because there was no practicable edition. The volumes of the Complete Edition edited by Glenda Dawn Goss now offer a musicologically accurate music text for the first time. This music text forms the basis for the performance material. The complete edition \"Jean Sibelius Werke\" intends to pave the way for a new evaluation of the Finnish composer and, in particular, of this hitherto editorially neglected work, the composer's only choral symphony.\u003c\/p\u003e\n\u003cp\u003eVocal Score contains only Movements 3 and 4.\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50442911547678,"sku":"EB-8978","price":60.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/bd947f217c21f7876fd043bb1f6db857.webp?v=1766078391"},{"product_id":"buxtehude-complete-organ-works-volumes-1-3","title":"Buxtehude: Complete Organ Works - Volumes 1-3","description":"\u003cp\u003eMore than 230 years have passed since the first publication of an organ work (\"Wie schön leuchtet der Morgenstern\", 1793) by Buxtehude in the Breitkopf publishing house. Since 1875, practical and scholarly editions have appeared repeatedly, adapting to the style of interpretation of the time. in contrast, the new edition of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eComplete Organ Works\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e, edited by Harald Vogel, is a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003epractical source edition\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ethat provides the information derived from the historical notation transmission.\u003c\/p\u003e\n\u003cp\u003eThis edition is the result of Harald Vogel's many years of experience as an organist and musicologist. It comprises five handy volumes, which, in addition to a clear set of notes on two and three staves, provide new information on the sources and the organs played by Buxtehude; this is the first time that elements of the construction and sound structure of the organs in the Marienkirche Lübeck have been explained. Despite from its practical usability, the image of the sources is not distorted (e. g. by superfluous rests or the unhistorical adaptation of time signatures).\u003c\/p\u003e\n\u003cp\u003eWhile volumes I\/1 and III\/1 contain only the music, vols. 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If, in the present day, two hitherto unattributed organ works are ascribed to the young Bach, then this is a musicological and, above all, a musical sensation!\u003c\/p\u003e\n\u003cp\u003eAfter more than 30 years of intensive research, Prof. Dr. Dr. Peter Wollny was able to prove beyond a doubt that the young Bach was the composer of both pieces.\u003c\/p\u003e\n\u003cp\u003eThe Chaconnes BWV 1178 and 1179 add two melodious compositions to Bach's early organ repertoire, offering insights into the artistic development of the budding master.\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50442913775902,"sku":"EB-9648","price":26.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/a41be6dcb7403485552e8761a5b0eff3.webp?v=1766078741"},{"product_id":"beyond-the-notes","title":"Beyond the Notes: Texts to Breitkopf's Ravel Editions","description":"\u003cp\u003e\u003cem\u003eBeyond the Notes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a worthy conclusion of Breitkopf \u0026amp; Härtel's long-standing collaboration with the renowned conductor and Ravel expert, Jean-François Monnard. This slim volume brings together the informative introductory texts from the individual Urtext editions, offering interested readers an insight into the editor's wealth of knowledge and experience.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeyond the Notes\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoffers\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ea supplementary foreword\u003c\/li\u003e\n\u003cli\u003eselected music examples\u003c\/li\u003e\n\u003cli\u003ea chronological overview\u003c\/li\u003e\n\u003cli\u003ean interview with the editor\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe prefaces originate from the following editions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePB 5540 Le Tombeau de Couperin\u003c\/li\u003e\n\u003cli\u003ePB 5539 Valses nobles et sentimentales\u003c\/li\u003e\n\u003cli\u003ePB 5650 Daphnis et Chloé\u003c\/li\u003e\n\u003cli\u003ePB 5716 L'Heure espagnole\u003c\/li\u003e\n\u003cli\u003ePB 5299 Bolero\u003c\/li\u003e\n\u003cli\u003ePB 5614 Tableaux d'une exposition\u003c\/li\u003e\n\u003cli\u003ePB 5374 La Valse\u003c\/li\u003e\n\u003cli\u003ePB 5530 Rapsodie espagnole\u003c\/li\u003e\n\u003cli\u003ePB 5753 L'Enfant et les Sortilèges\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":50442914955550,"sku":"BV-515","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/fbca3292d37de450c25ae7fe645f2756.webp?v=1766078863"},{"product_id":"liebermann-trio-no-3-for-violin-cello-and-piano","title":"Liebermann: Trio No. 3 for Violin, Cello, and Piano","description":"\u003cp\u003eLiebermann's\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTrio No.3\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(2012), is a 16-minute work in one movement which unfolds in three clearly discernable sections. The introduction features a cadenza for violin followed by one for cello, heard over repeated\u003cspan\u003e \u003c\/span\u003e\u003cem\u003epp\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003echords in the piano. The broadly lyric section that follows features long lines in the strings over a glittering ostinato in the piano. In stark contrast, the final section of the Trio is a menacing and somewhat jazzy processional bearing the subtitle\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e(They’re coming…)\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe composer has written:\u003cbr\u003e\"The entire Trio was written during a year notable for events which revealed some of the most disturbing aspects of American culture: events ranging from multiple public shootings to the hate-filled rhetoric leading up to the 2012 election. For me, the viewing of almost any news media these days seems to inspire an encroaching sense of paranoia and despair. 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His transcription was inspired by the composer's own version for piano, exploiting the alternative solutions offered by the ''orchestral'' timbres of the organ, with its manuals and pedals. The ideal instrument for the present version is an expansive, eclectic style organ with at least three manuals. This flamboyant arrangement requires great virtuosity, stamina, and creativity from the performer. Ádám Tabajdi (b. 1993) is an outstanding young Hungarian organist. Alongside the music of J. S. Bach, his repertoire includes Liszt, and Franck, as well as twentieth-century works, with a special focus on Messiaen, Ligeti, and FlorentEMBHe is a committed performer of contemporary music, but he also feels a close connection with the works of old masters such as Sweelinck, Weckmann, and Couperin. 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Reprint edition.\u003c\/p\u003e","brand":"ALFRED PUBLISHING CO. - 88284","offers":[{"title":"Default Title","offer_id":50762306158878,"sku":"36-60760007","price":7.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/36-60760007_large_f3aaf718-ff3b-4730-adfe-4cce8e55230f.jpg?v=1775506327"},{"product_id":"98-ep11518","title":"Bach: Six Partitas BWV 825-830","description":"\u003cp\u003eWith the Six Partitas BWV 825–830, Johann Sebastian Bach presented the most stylistically innovative and technically ambitious suite collection of his time. This Urtext edition, edited by leading Bach scholar Christoph Wolff, unites the previously separate volumes (EP4463a and EP4463b) in a single publication – the editor's only complete Urtext edition of the Partitas. It includes variants of several dance movements and a comprehensive foreword discussing the genesis of the works, source commentaries, performance practice guidance, and a table of ornaments. This edition combines musicological research with practical usability, providing a reliable foundation for an authentic interpretation of the pieces.\u003c\/p\u003e","brand":"C. F. PETERS - 100400","offers":[{"title":"Default Title","offer_id":50762306257182,"sku":"98-EP11518","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/98-EP11518_large_9bda05e3-bf4e-437b-8be0-7f456837c802.jpg?v=1775506330"},{"product_id":"98-ep20036","title":"Mendelssohn: Masterpieces for Piano","description":"\u003cp\u003eMendelssohn: Masterpieces for Piano brings together original piano works by Felix Mendelssohn, suitable for intermediate to advanced level players. Arranged in progressive order, the collection includes a mixture of favorites and lesser-known works – from \"Children's Pieces\" and \"Songs Without Words\" to \"Sonata No. 2 in G minor, Op. 105,\" with a cover design featuring a watercolor painting by Mendelssohn himself.The Masterpieces for Piano series presents superb collections of core repertoire by the great piano composers. These beautifully produced, carefully curated editions provide pianists with an excellent overview of each composer and should be an essential part of all players' libraries. Suitable for intermediate to advanced level players.\u003c\/p\u003e","brand":"C. F. PETERS - 100400","offers":[{"title":"Default Title","offer_id":50762306289950,"sku":"98-EP20036","price":25.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/98-EP20036_large_f82a6782-91f6-40a6-8f4b-226854b166e6.jpg?v=1775506333"},{"product_id":"ba09131","title":"Schubert: Lieder Medium Voice","description":"\u003cp\u003e\u003cspan\u003eVolume 11 of the Bärenreiter Urtext edition of Schubert’s lieder seamlessly follows on from the preceding volume with nine songs that were written between August and November 1817. Also included are the complete lieder from 1818 to 1819. For Schubert, these were years of crisis and new beginnings. He left his parental home for good, turned away from established models in his instrumental compositions and went in search of new themes, drawing not only on poets familiar to him, such as Johann Mayrhofer or Aloys Wilhelm Schreiber, but also on authors unknown to him, such as Franz Grillparzer or Johann Petrus Silbert. A significant role in his lied compositions during these years is played by cyclical forms, such as the four songs on hymns by Novalis or the three songs that form an entity based on texts by Mayrhofer, all of which are contained in this volume.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root-scribe-elem\"\u003e\n\u003cdiv role=\"region\" aria-label=\"Notifications (F8)\" tabindex=\"-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50762359996702,"sku":"BA09131","price":78.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/BA09131_00_9790006530717_co_lrg_01.jpg?v=1775508401"},{"product_id":"ba10266","title":"Handel: Anthem on the Peace HWV 266 (267) Full Score","description":"\u003cp\u003e\u003cspan\u003eThe anthem “How beautiful are the feet”, also known as “Anthem on the Peace”, was first performed by the London Chapel Royal in 1749 at a thanksgiving service marking the Peace of Aachen, which ended the War of the Austrian Succession. At the subsequent festive ceremony Handel’s “Music for the Royal Fireworks” also received its premiere. As was often the case with occasional works, the composer drew on texts and music from earlier compositions for all four movements. Thus the “Anthem on the Peace” contains several parts from the “Messiah”, but also from other anthems and the “Occasional Oratorio”. Handel therefore did not prepare a separate autograph for this work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Urtext edition based on the “Halle Handel Edition” offers the first scholarly-critical edition of the musical text of the version probably performed at the premiere, supplemented by two variant movements.\u003c\/span\u003e\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50762360029470,"sku":"BA10266","price":67.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/BA10266_00_9790006579938_co_lrg_01.jpg?v=1775508404"},{"product_id":"ba10266-90","title":"Handel: Anthem on the Peace HWV 266 (267)","description":"\u003cp\u003e\u003cspan\u003eThe anthem “How beautiful are the feet”, also known as “Anthem on the Peace”, was first performed by the London Chapel Royal in 1749 at a thanksgiving service marking the Peace of Aachen, which ended the War of the Austrian Succession. 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Handel therefore did not prepare a separate autograph for this work.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Urtext edition based on the “Halle Handel Edition” offers the first scholarly-critical edition of the musical text of the version probably performed at the premiere, supplemented by two variant movements.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"root-scribe-elem\"\u003e\n\u003cdiv role=\"region\" aria-label=\"Notifications (F8)\" tabindex=\"-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50762360193310,"sku":"BA10266-90","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/BA10266_90_9790006579945_co_lrg_01.jpg?v=1775508407"},{"product_id":"ba10267","title":"Handel: Foundling Hospital Anthem HWV 268 (Full Score)","description":"\u003cp\u003e\u003cspan\u003eGeorge Frideric Handel’s anthem “Blessed are they that consider the poor” was first performed in 1749 at a benefit concert for the Foundling Hospital orphanage and has since been known by this name. The vocal texts of the original four movements are taken from the Old and New Testaments (Book of Psalms, Prophets, Epistles of Paul). As is often the case with occasional works, the composer drew on music from earlier compositions in all movements – the fourth chorus, for example, is identical to the “Hallelujah” chorus from the “Messiah”. For a later performance in 1753, Handel substantially expanded the work by three movements and revised parts of the first version. This later version constitutes an independent and arguably more appealing version of the anthem.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis Urtext edition based on the “Halle Handel Edition” offers the first scholarly-critical edition of the musical text of the 1753 version.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv id=\"root-scribe-elem\"\u003e\n\u003cdiv role=\"region\" aria-label=\"Notifications (F8)\" tabindex=\"-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":50762360291614,"sku":"BA10267","price":65.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/BA10267_00_9790006580040_co_lrg_01.jpg?v=1775508410"}],"url":"https:\/\/juilliardstore.com\/collections\/new-products.oembed?page=6","provider":"Juilliard Store","version":"1.0","type":"link"}