{"title":"Breitkopf \u0026 Härtel Scores \u0026 Accessories","description":"","products":[{"product_id":"bach-cantata-bwv202-weichet-eb7202","title":"BACH CANTATA BWV202 WEICHET","description":"VS SOPRANO PIANOvocal scoreBach \u003ci\u003eKantate 202 Weichet nur\u003c\/i\u003e by Breitkopf","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535648895057,"sku":"EB-7202","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004173558_2300f56b-761c-421f-afdf-70b746234b7a.jpg?v=1600142844"},{"product_id":"ravel-la-valse-mini-score-pb5523-07","title":"Ravel La Valse Mini Score","description":"","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535648927825,"sku":"PB-5523","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212127_8cf260d8-749f-424e-b140-a710f59452f7.jpg?v=1600142845"},{"product_id":"reger-organ-works-v-3-eb8493","title":"Reger Complete Organ Works Volume 3 - Free Organ Pieces","description":"\u003cp\u003e\u003cspan\u003eMax Reger's \"Free Organ Pieces\"-Volumes 3 and 4 in our Complete Edition - are short works of various levels of difficulty. They are a real find for all organists who have not felt sufficiently proficient to tackle the technical demands of the monumental organ fantasias. Some of these intentionally simple and clearly-structured works might even contain elements which could lead to a revised conception of Reger's works, better suited to our times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e3 Pieces Op. 7\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan\u003e12 Pieces Op. 59\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e12 Pieces Op. 65\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649091665,"sku":"EB-8493","price":54.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004177860_68330c45-f162-49d7-b0f9-5afe99cf0611.jpg?v=1600142850"},{"product_id":"glinka-vla-son-dmaj-mr1034","title":"Glinka Sonata in D minor for Viola and Piano","description":"\u003cp\u003eVIola and Piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThose sections realised by the editor have been printed in small type.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAs Glinka himself realised, the Viola Sonata is the most successful of his pre-Italian compositions; although intended primarily for domestic music-making (Glinka himself played both viola and piano) it contains, to use his own expression, \"some quite clever counterpoint.\" Free from the Italianate mannerisms which mar some of his larger chamber works, it has a directness and charm which make it an important addition to the viola repertoire.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(from the preface)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusica Rara Series\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649124433,"sku":"MR-1034","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/9790004480007.webp?v=1741104137"},{"product_id":"hello-mr-gillock-carl-czerny-eb8627","title":"Hello, Mister Gillock! Hello, Carl Czerny!","description":"\u003ch3\u003eDelightful Piano Pieces for All Occasions edited by Elisabeth Haas, Martina Schneider, Karin Strebl, Rosemarie Trzeja and Veronika Weinhandl\u003c\/h3\u003e\n\u003ch3\u003eIllustration: Martina Schneider\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eCarl Czerny (1791-1857) and William Gillock (1917-1993) unfortunately did not have the opportunity to meet each other personally. But in her witty comic strips, Martina Schneider brings the two men together by means of a trans-Atlantic phone call.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649157201,"sku":"EB-8627","price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004179888_452dd141-e54d-47f1-ad96-715049990ed3.jpg?v=1600142852"},{"product_id":"bach-wtc-v2-ed-mugellini-eb2375","title":"Bach The Well-tempered Clavier Volume 2","description":"\u003cp\u003eEdited by Bruno Mugellini\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649189969,"sku":"EB-2375","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004160961_55e4dd50-181e-421b-9586-686ed43029fb.jpg?v=1600142852"},{"product_id":"sibelius-karelia-suite-op-11-pb3897","title":"Sibelius Karelia Suite Op. 11","description":"\u003cp\u003eStudy Score\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649255505,"sku":"PB-3897","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004202265_3ce44233-582d-4b8a-b3bf-49ccb000f9e5.jpg?v=1600142853"},{"product_id":"klengel-trio-fur-violin-cello-eb3326","title":"Klengel Children's Trio in C, Op. 35 #1","description":"\u003cp\u003efor Violin, Cello, Piano\u003c\/p\u003e\nThe famous Leipzig cello virtuoso Julius Klengel filled a true market gap a hundred years ago with his\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eChildren’s Trios\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eOp. 35 and 39: chamber music so easy that it could be played by children. On popular demand, we began to reprint selected editions in 1993. Opus 35 No. 1 thus stood at the beginning of this rejuvenated series of children’s trios.","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649222737,"sku":"EB-3326","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004161654_008905ab-8c08-4fb6-af68-b0525388bf82.jpg?v=1600142854"},{"product_id":"schumann-concerto-violin-eb8329","title":"Schumann Concerto in A minor Op. 129 Version for Violin","description":"\u003cp\u003efor violin and piano\u003c\/p\u003e\n\u003cp\u003eRobert Schumann’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eVioloncello Concerto\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eop. 129 can be regarded as the first great concerto for this instrument’s repertoire. It is thus somewhat surprising that this work had an extremely problematic reception history at the outset.Schumann wrote the score in 1850, during his Düsseldorf years, but there was neither a concrete occasion nor a soloist for a world premiere. After its publication, more years elapsed before the world premiere. It was only towards the end of the 19th century that Schumann’s Cello Concerto finally made its breakthrough as a repertoire piece.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Urtext edition is based on the original print of the parts and the piano reduction, which had still been supervised by Schumann. In addition, the autograph of the score was consulted for purposes of comparison.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe internationally renowned soloist Heinrich Schiff took part in the preparation of the edition for violoncello and piano. His experiences have been incorporated into his arrangement of the solo part. 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Peter Jost, an expert on French music who established his claim to expertise through his Debussy, Franck and Saint-Saëns editions, ensures a flawless Urtext edition which is based for the first time on the autograph piano reduction. This piano-cello score shows traces of several layers of arrangements, the last two of which were obviously not taken into account in the first edition. The new edition thus offers a wealth of new, authentic readings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A carefully researched text with clear and spacious printing highlights this sympathetic collaboration of two esteemed publishing houses, Breitkopf \u0026amp; Härtel and Henle.\" (Mary Nemet, Strings)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1. 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Introduction: Andante - Allegro Vivace\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649419345,"sku":"PB-15120","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/8657_COVER_PB15100.jpg?v=1600142858"},{"product_id":"mozart-divert-3-bassets-cosi-km2272","title":"Mozart Divertimento “Così fan tutte”","description":"\u003cp\u003efor three basset horns (or two clarinets and bassoon or three clarinets)\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Come scogolio immoto resta\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: In uomini! In soldati!\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Un' aura amorosa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTerzetto: Una bella serenata\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649452113,"sku":"KM-2272","price":27.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/KM2272.jpg?v=1600142859"},{"product_id":"mozart-divert-3-bassets-don-gi-km2266","title":"Mozart Divertimento “Don Giovanni”","description":"\u003cp\u003eFor 3 Bassett Horns, or 3 Clarinets, or 2 Clarinets and Bassoon\u003cbr\u003earranged by Rainer Schottstädt edited by Trio di Clarone\u003c\/p\u003e\n\u003cbr\u003eContents:\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eDalla sua pace\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLà ci darem la mano\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMadamina, il catalogo è questo\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNon mi dir, bell'idol mio\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRiposate, vezzose ragazze\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eVedrai, carino\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649484881,"sku":"KM-2266","price":34.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/KM2266.jpg?v=1600142860"},{"product_id":"mozart-divert-3-bassets-zauber-km2273","title":"Mozart Divertimento “The Magic Flute”","description":"\u003cp\u003efor three basset horns (or two clarinets and bassoon or three clarinets)\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAch, ich fuehl's, es ist entschwunden\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eBald prangt, den Morgen zu verkuenden\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eDer Hoelle Rache kocht in meinem Herzen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePa pa pa\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSeid uns zum zweiten Mal willkommen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649517649,"sku":"KM-2273","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/4515_COVER_km2273.jpg?v=1600142861"},{"product_id":"mozart-divert-3-bassets-marria-km2249","title":"Mozart Divertimento “The Marriage of Figaro”","description":"\u003cp\u003e\u003cspan\u003efor three basset horns (or two clarinets and bassoon or three clarinets)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe authentic \"Figaro\" arrangement goes back to Mozart's time. Early editions and new source material guarantee an authoritative musical text. The \"Figaro Divertimento\" has won enthusiastic friends in the concert hall, and its performance material is available in a \"first hand\" edition. It was not the last of Mozart's bassett horn operas ...\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Non più andrai, farfallone amoroso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eArietta: Voi che sapete\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRondo: Al desio di chi t'adora\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649550417,"sku":"KM-2249","price":30.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/4514_COVER_KM2249.jpg?v=1600142861"},{"product_id":"birkenkotter-solo-cello-eb9087","title":"Birkenkotter Solo for Cello","description":"","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649648721,"sku":"EB-9087","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004179604_a447dd14-2eaa-486a-99c7-f86962f293d1.jpg?v=1600142863"},{"product_id":"brandmuller-katgurmondisedootr-eb9070","title":"Brandmüller Katgurmondisedootrisch","description":"","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649714257,"sku":"EB-9070","price":32.98,"currency_code":"USD","in_stock":true}]},{"product_id":"holszky-gitter-bassoon-eb9192","title":"Hölszky: Gitter for Bassoon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649845329,"sku":"EB-9192","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183076_627c6e23-cdcb-4cb1-8866-c004fe522985.jpg?v=1600142868"},{"product_id":"holszky-klangwaben-signals-for-eb9099","title":"Hölszky: Klangwaben - Signals for Violin solo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e“What gave rise to this piece was my work on a scientific study about the signals emitted by bees. It was fascinating to learn that these signals are based on a finely graded micro-periodicity. My work has 15 stages designated as “honeycombs”. Every honeycomb focuses on about six similar events which have identical dynamics and almost identical playing techniques, tone colors and pitches, but which never create a chronologically exact periodicity.”\u003cbr\u003e(Adriana Hölszky)\u003c\/p\u003e\n\u003cdiv class=\"lead clearfix\"\u003e\u003cfooter id=\"footer\"\u003e\n\u003cdiv id=\"inner-footer\"\u003e\n\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003cdiv class=\"col-sm-8 col-xs-12 widget\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/footer\u003e\u003c\/div\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649878097,"sku":"EB-9099","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004179697_06f2cd99-e64d-47b3-830b-6aba7cd3aee1.jpg?v=1600142869"},{"product_id":"mozart-divert-3-bassets-titus-km2271","title":"Mozart Divertimento “La clemenza di Tito”","description":"\u003cp\u003efor 3 Bassett Horns, Or 3 Clarinets, or 2 Clarinets and Bassoon\u003cbr\u003eedited by Trio di Clarone\u003c\/p\u003e\n\u003cbr\u003eContents:\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Chi ciecamente crede\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Parto, ma tu ben mio\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAria: Torna di Tito a lato\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eRondo: Non più di fiori vaghe catene\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649976401,"sku":"KM-2271","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004502181_f7d0e6b6-6b3c-45f5-b466-73b33e19038c.jpg?v=1600142870"},{"product_id":"mendelssohn-6-sonatas-op-65-eb8768","title":"Mendelssohn 6 Sonatas Opus 65","description":"\u003cp\u003efor organ\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe pieces in the two work groups \u003c\/span\u003e\u003cem class=\"redactor-inline-converted\"\u003eThree Preludes and Fugues\u003c\/em\u003e\u003cspan\u003e (1837\/38) and \u003c\/span\u003e\u003cem class=\"redactor-inline-converted\"\u003eSix Sonatas\u003c\/em\u003e\u003cspan\u003e (1844\/45) can be called without exaggeration the first important organ works of the 19th century. With them, Mendelssohn ushered in the \"second golden age of organ music,\" following the Baroque era. The two books presented here (Three Preludes and Fuges = EB 8745; Six Sonatas = EB 8768) are separate editions of the volume \u003c\/span\u003e\u003cem\u003eMendelssohn: Orgelwerke 1\u003c\/em\u003e\u003cspan\u003e (EB 8641). Organists can thus individually acquire the collections formerly known as op. 37 and op. 65, which are now firmly rooted in the Urtext of the Leipzig Mendelssohn edition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1. Sonata in F minor MWV W 56 Op. 65\/1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2. Sonata in C minor MWV W 57 Op. 65\/2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3. Sonata in A major MWV W 58 Op. 65\/3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4. Sonata in Bb major MWV W 59 Op. 65\/4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e5. Sonata in D major MWV W 60 Op. 65\/5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e6. Sonata in D minor MWV W 61 Op. 65\/6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535649910865,"sku":"EB-8768","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183571_9376c978-f124-46d4-bd71-dfac6525c2e9.jpg?v=1600142870"},{"product_id":"bach-organ-works-vol-5-eb8805","title":"Bach Complete Organ Works, Vol. 5","description":"Contents: Sonatas \/ Trios \/ Concertos\u003cbr\u003e\u003cspan\u003eedited by Pieter Dirksen\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650009169,"sku":"EB-8805","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183663_6cb650a6-b599-48dd-a6fa-78fa0e5868bf.jpg?v=1600142871"},{"product_id":"bach-organ-works-vol-6-eb8806","title":"Bach Complete Organ Works, Vol. 6","description":"Contents: \u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e\u003ca href=\"https:\/\/www.breitkopf.com\/work\/8795\/15009\" style=\"color: #000000;\"\u003eClavierübung III \/ Schübler–Choräle \/ Canonische Veränderungen über „Vom Himmel hoch“\u003cbr\u003eedited by Werner Breig \u003c\/a\u003e\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650041937,"sku":"EB-8806","price":38.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183618_11d0916c-24d0-46cb-827a-402df22d85b7.jpg?v=1600142872"},{"product_id":"mozart-concert-c-major-kv-467-pb15110-07","title":"Mozart Piano Concerto No 21 in C major K 467 (Study Score)","description":"\u003cp\u003eThe editorial quality of the new edition is guaranteed not only by Schiff’s sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.\u003c\/p\u003e\n\u003cp\u003eBreitkopf\/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart’s handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart’s own manuscripts, early copies in parts and prints also contain important information regarding the musical text.\u003c\/p\u003e\n\u003cp\u003eContents:\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1. Allegro maestoso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2. Andante\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3. Allegro vivace assai\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650140241,"sku":"PB-15110","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212677_52e2437c-7f4e-4df0-bfd7-570dbc08e7f7.jpg?v=1600142875"},{"product_id":"mozart-concerto-a-major-mini-s-pb15111","title":"Mozart Piano Concerto No. 23 in A major K. 488 (Study Score)","description":"STUDY SCORE  edited by Ernst-Guenter Heinemann\u003cbr\u003eOne of the most frequently performed concertos of all, it was written while Mozart was working on the opera \"Le nozze di Figaro.\" The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.\u003cbr\u003eThe editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Günter Heinemann to whom Henle has entrusted its urtext editions.\u003cbr\u003eBreitkopf\/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650173009,"sku":"PB-15111","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212684_1a865784-5a29-4849-a609-64a48fef1aff.jpg?v=1600142876"},{"product_id":"schumann-piano-concerto-a-min-pb15121","title":"Schumann Piano Concerto in A minor Op. 54 Full Score","description":"\u003cp\u003eFULL SCORE\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSchumann's A minor concerto is considered as the ultimate romantic piano concerto. Since the Schumann anniversary year 2010, musicians will be able to base their performance on a complete Urtext edition. The state of the sources is unfortunately patchy, as the original version of the first movement, a \"Phantasie\" of 1841 that was given two trial performances, can no longer be reconstructed. On the other hand, the posthumously published score raises certain questions, since it diverges from the editions (solo part and orchestral parts) authorized by Schumann and published in 1846, after the first performance. The pianist Mitsuko Uchida contributed the fingering for the version for two pianos. Schumann's great solo concertos are thus available in their entirety from Breitkopf, in editions prepared with the expert help of major interpreters: the Cello Concerto with Heinrich Schiff and the Violin Concerto with Thomas Zehetmair.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650271313,"sku":"PB-15121","price":90.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212172.jpg?v=1600142878"},{"product_id":"bruggaier-cello-vielharmonie-km2298","title":"Bruggaier Cello-(Phil) Vielharmonie, Volume 1","description":"24 Arrangements for 4 to 5 Cellos from Susato to Comedian Harmonists.\u003cbr\u003e\u003cspan\u003eWith Roswitha Bruggaier, the cello is always in the spotlight – and not just one! Her arrangements of highlights from five centuries are always for four and five parts, and hand-tailored to the instrument she loves.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650304081,"sku":"KM-2298","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004503157.jpg?v=1600142879"},{"product_id":"sibelius-complete-works-symph-son614","title":"Sibelius Symphony No. 7 in one movement Op. 105","description":"\u003cp\u003e\u003cspan\u003eFull Score\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eVolume 8 of Complete Works\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1919 was a veritable \"symphonic\" year in the oeuvre of Jean Sibelius: he revised his \u003c\/span\u003e\u003cem\u003e5th Symphony\u003c\/em\u003e\u003cspan\u003e, began the 6th and, at the same time, sketched a \"Fantasia sinfonica\" from which the one-movement 7th the last surviving symphony was to evolve by early 1924. Although the score and parts were printed only after a number of performances, the material was faulty and only half-heartedly corrected during the composer's lifetime. The reception of the \u003c\/span\u003e\u003cem\u003e7th Symphony\u003c\/em\u003e\u003cspan\u003e by the contemporary press was mixed. Sibelius saw himself between the fronts of modern developments and conservative criticism, which wanted him to play the role of a tonal Rock of Gibraltar amidst the dissonant chaos of the times. It is partly for this reason that the Finnish composer then chose the path of silence and later destroyed the manuscript of his 8th Symphony\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650336849,"sku":"SON-614","price":215.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004802885.jpg?v=1600142880"},{"product_id":"giacoma-tosca-fantasia-clarine-mr2264","title":"Giacoma Tosca Fantasia, Op. 171","description":"for Clarinet and piano, \u003cbr\u003eedited by Johannes Fleischhut \u003cbr\u003e\u003cspan\u003eWhen della Giacoma wrote his \"Tosca Fantasia\" in 1900, he was serving in the Italian army as a clarinetist and band master. His paraphrase is totally in tune with the times, since music lovers were wild about chamber-music arrangements of large, popular works for performance in concert or in the home. In his \"Tosca Fantasia,\" della Giacoma uses various themes from Puccini's opera, including the famous clarinet solo that precedes Cavaradossi's aria \"E lucevan le stelle.\" The solo instrument shifts very effectively between bel canto vocal lines that allow the clarinet to fully revel in its beauty, and the virtuoso arabesques that can be performed so compellingly on the clarinet.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Musica Rara Series)\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650369617,"sku":"MR-2264","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004488546_b2e6f96e-6b0e-4370-a2b5-6baeb60924e7.jpg?v=1600142881"},{"product_id":"reinecke-trio-a-minor-op-188-mr2265","title":"Reinecke Trio in A minor, Op. 188","description":"\u003cp\u003e\u003cspan\u003eFor Oboe, Horn, Piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReinecke's A minor Trio op. 188 clearly follows in the footsteps of Mendelssohn and Schumann. The work is well-proportioned and compositionally balanced. The two wind instruments are treated equally and are both technically demanding, but not highly virtuoso. Interesting instrumental combinations such as the present one are no exceptions in Reinecke's oeuvre. Let us recall the Trio in B flat major op. 274 for clarinet, horn and piano (\u003c\/span\u003e\u003ca href=\"https:\/\/www.breitkopf.com\/work\/7496\/trio-in-b-dur-op-274\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eMR 1209\u003c\/a\u003e\u003cspan\u003e). The reprint is based on the original Leipzig edition from Breitkopf \u0026amp; Härtel's Kammermusik-Bibliothek and is a welcome addition to the repertoire of chamber music for strings. (Musica Rara Series)\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650435153,"sku":"MR-2265","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004488553_d9aa889d-9238-4c3a-9662-39375f9c7840.jpg?v=1600142882"},{"product_id":"mozart-missa-brevis-in-g-eb8505","title":"Mozart Missa Brevis in G K 140","description":"\u003cp\u003epiano vocal score\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf \"serveral music lovers and music directors consider this Mass authentic and truly Mozartian\" (the words of Sir Ludwig von Köchel), then we are also willing to accept it as such. With the publication of the charming \"Pastoral Mass\" K. 140, all of Wolfgang Amadeus Mozart's masses were now completely available from Breitkopf \u0026amp; Härtel. In addition to the standard features (piano reduction, organ part, choral score, completely purchasable orchestral material), this Mass has a special \"extra\", namely a supplementary organ part, prepared from the sources, with which one can reconstruct the original performance circumstances in Salzburg (with two organs!).\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650467921,"sku":"EB-8505","price":13.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004177983_507a52f0-197c-4919-9167-6f892e3672e9.jpg?v=1600142882"},{"product_id":"mozart-concerto-c-maj-kv-503-f-pb15123","title":"Mozart Piano Concerto No. 25 in C, K. 503","description":"Full Score  edited by Ernst Herttrich\u003cbr\u003e\u003cspan\u003eThe C major Concerto K. 503 was held in particularly high esteem by Mozart, who, for example, put it on the program of his subscription concert at Leipzigs Gewandhaus in 1789, three years after it was written. This new edition is based on the autograph and also takes into account the first edition published by Constanze Mozart at her own cost in 1797.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehe editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst Herttrich to whom Henle has entrusted its urtext editions.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBreitkopf\/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650500689,"sku":"PB-15123","price":68.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212738_419276a7-055b-4b85-bd4e-ccec8fc73566.jpg?v=1600142884"},{"product_id":"beethoven-ah-perfido-per-pieta-pb14678","title":"Beethoven “Ah! Perfido” and “Per pietà, non dirmi addio” Opus 65","description":"\u003cspan\u003eThe only concert aria by Beethoven published during his lifetime has enjoyed unflagging popularity among sopranos ever since its publication. While the genre of the piece recalls a dramatic scene from the Italian opera seria, it does raise some fundamental questions: the “Ah, perfido!” text of the recitative was written by Pietro Metastasio, but not the following aria text “Per pietà non dirmi addio” whose author has yet to be identified. It is just as unclear why it took the work, which was written and premiered in 1796, eight years to be published. Beethoven himself added another twist in this story when, for a performance held in 1808, he altered the music text and thus made it more difficult for later editors to lay down the definitive, authorized version. In this respect, the first practical Urtext edition of the work (based on the new Beethoven Complete Edition) should be warmly welcomed by all performing artists.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650533457,"sku":"PB-14678","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212660_05890882-64fa-49ca-8fd5-8248679be660.jpg?v=1600142885"},{"product_id":"the-cello-box-eb8817","title":"The Cello Box (Der Cellokasten)","description":"The Cellokasten (Cello Case) offers a wealth of varied material for the beginner. Like the successful\u003ca href=\"https:\/\/www.breitkopf.com\/work\/8338\"\u003e Geigenkasten\u003c\/a\u003e, it can be used in teaching as a supplement to any cello method. And with its steadily increasing level of difficulty within each chapter, it can also serve as a kind of instruction method as well.\u003cbr\u003eThe chapters are devoted to the following topics:\u003cbr\u003e- Games of posture and movement\u003cbr\u003e- Music on open strings and fundamentals of bowing technique\u003cbr\u003e- Playing with close stops and wide-stretch stops, high and low\u003cbr\u003e- Combination of close stop, wide-stretch stop and chromaticism\u003cbr\u003e- Playing, reading, notating rhythms; reading and notating tones\u003cbr\u003eas well as improvisation in the chapter Inventing Music.\u003cbr\u003eAlong with lyrics for singing, there is almost always a second part, which lets two cello lovers make music together. The book offers songs and cello pieces for a variety of occasions and for every season. Interesting information about the instrument is also scattered throughout the book.\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003eedited by \u003ca href=\"https:\/\/www.breitkopf.com\/composer\/1316\" style=\"color: #000000;\"\u003eMichael Dartsch \u003c\/a\u003eand Susanne Richter\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650566225,"sku":"EB-8817","price":26.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183830_fd36bf78-99b3-4c29-973c-8a555bee5d65.jpg?v=1600142886"},{"product_id":"karg-elert-66-choral-impro-i-eb8261","title":"Karg-Elert 66 Chorale Improvisations. Vol. 1,  Op. 65","description":"\u003cp\u003efor Organ\u003cbr\u003eVolume 1: Advent, Christmas\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eKarg-Elert's Op. 65, the \u003c\/span\u003e\u003cem\u003e66 chorale improvisations\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eon Evangelical church hymns in six volumes, are his first organ works composed directly for this instrument. At first, in 1906, Karg-Elert had planned a collection of 40 preludes. In November 1909, the Opus 65, with its volumes arranged for the most part according to the liturgical year, was complete and in print, crowned with a piece for organ and brass as 66th setting.\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan\u003eContents:\u003c\/span\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e)\u003c\/td\u003e\n\u003ctd\u003e1. Abide among us with Thy grace (My life is hid in Jesus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e2. My inmost heart now raises\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e3. All things hang on our possessing\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e4. All praise and thanks to God most High\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e5. When the Lord recalls the banished\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e6. Now blessed be Thou, Christ Jesu\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e7. Let all together praise our God\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e8. Lift up your heads, ye mighty gates\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e9. Ye sons of men, in earnest (From God I will not depart)\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e10. From heaven above to earth I come (This is the day, the Lord hath made)\u003c\/td\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003c\/td\u003e\n\u003ctd\u003e11. Farewell I gladly bid thee (Ah! Lord, how shall I meet Thee)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650598993,"sku":"EB-8261","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004175774_c7e8d561-1f63-4658-ac41-cca3316657e3.jpg?v=1600142887"},{"product_id":"karg-elert-66-choral-improv-vi-eb8266","title":"Karg-Elert 66 Chorale Improvisations Op. 65. Vol. 6","description":"\u003cp\u003eFor Organ,\u003cbr\u003eVolume 6: Confirmation, Marriage, Baptism, Thanksgiving Day\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKarg-Elert's Op. 65, the \u003cem\u003e66 chorale improvisations \u003c\/em\u003eon Evangelical church hymns in six volumes, are his first organ works composed directly for this instrument. At first, in 1906, Karg-Elert had planned a collection of 40 preludes. In November 1909, the Opus 65, with its volumes arranged for the most part according to the liturgical year, was complete and in print, crowned with a piece for organ and brass as 66th setting.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eContents:\u003cbr\u003eJesu, day by day, guide us an life's way\u003cbr\u003eBlessed Jesus, at Thy word\u003cbr\u003ePraise to the Lord, the almighty, the King of creation\u003cbr\u003eNow thank we all our God - Marche triomphale\u003cbr\u003eThou Holiest Love, whom most I love (In Thy Service will I ever)\u003cbr\u003eWhat e'er my God ordains is right\u003cbr\u003e If thou but suffer God to guide thee (major)\u003cbr\u003eIf thou but suffer God to guide thee (minor)\u003cbr\u003eO Morning Star! how fair and bright (I and my house)\u003cbr\u003eO Friend of Souls, how well is me\u003cbr\u003eWondrous King almighty (Festive Chorale for Organ, trumpets, trombones and kettle-drums)\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650664529,"sku":"EB-8266","price":49.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004175828_bd2b9b0c-7c55-4398-8774-4793a04db031.jpg?v=1600142888"},{"product_id":"albinoni-sonate-a-tre-op-1-v3-mr2273","title":"Albinoni 3 Sonatas from Opus 1","description":"\u003cp\u003eSonatas Nos 1-3\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTomaso Albinoni's Trio Sonatas op. 1 enjoyed enormous popularity from the moment they were released, as can be seen in the numerous reprints and Johann Sebastian Bachs own use in the harpsichord fugues BWV 946, 950 and 951. The state of the sources is ideal for a well-grounded edition: the partbooks of the first edition of 1694 provide a secure foundation on which Martin Lutz worked out a musical text that, compared with other transmitted sources, provides a reliable basis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePreface:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the publication of a collection of trio sonatas as his op. 1 in 1681, the young Corelli helped turn the four-movement form of the sonata da chiesa into a classic that became a kind of gold standard against which every successive composer had to measure himself with his own op. 1 trio collection. Thus Tomaso Albinoni’s op. 1 (Venice: Sala, 1694) takes ist place within an illustrious society consisting of Torelli’s “Suonate a tre, opera prima” of 1686, Veracini’s op. 1 of 1692, Caldara’s of 1693, some trio sonatas by Vitali, also of 1693, and other collections that were soon to follow, such as Gentili’s of 1701, Vivaldi’s of 1705 and Reali’s of 1709. All these collections were printed in Venice, which was then the leading center of music publishing.\u003cbr\u003eAlbinoni’s first twelve sonatas enjoyed a broad dissemination in their day. Substantiating this are, on the one hand, pirated editions from Amsterdam (1698) and a reprint of 1704 by Sala, as well as, on the other, the borrowing of three fugal subjects (from the second movements of the third, eighth and twelfth sonatas) by no less a master than Johann Sebastian Bach, who unleashed the true potential of these themes in his harpsichord fugues BWV 946, 950 and 951. Albinoni’s fugal pieces show a greater interest in the melodic aspect than in contrapuntal refinements, so much so, in fact, that in 1975 a specialist such as Eleanor Selfridge-Field spoke of a “diluted fugal concept.”\u003cbr\u003eNevertheless, these sonatas, which are still closely bound to the fourmovement structure established by Corelli, contain rousing and highly effective rapid movements as well as harmonically refined and euphonious slow movements (as is impressively confirmed by the “Parnassi musici” ensemble’s complete recording of 2003 on cpo). In this light, it is thus all the more amazing that there has not yet been a complete edition of Albinoni’s op. 1, and that not all of the editions of the individual sonatas, published decades ago, are still available today.\u003cbr\u003eThe first two volumes of our complete edition of Albinoni’s op. 1 followed the first edition (Giuseppe Sala, Venice, 1694; second, unchanged printing: 1704). For the third and fourth volume, we were able to consult two further sources: the part books published by Estienne Roger (Amsterdam c. 1710) as well as manuscript part books from the collections of the Saxon Court Chapel (\u003ci\u003eSchranck No: II, 1. Fach 2. Lage\u003c\/i\u003e, today in the Sächsische Landesbibliothek – Staats- und Universitätsbibliothek Dresden).\u003cbr\u003eA comparison of the sources shows that Roger follows the Venetian first edition (a few characteristic printing errors were reproduced). The Dresden parts present a similar situation. Whereas the 1694 print was made with movable characters and thus had no beaming of note groups, the copper-engraved Amsterdam print and the Dresden manuscripts both have beaming. This is not made according to any truly logical principle, however, and is inconsistent. This is why we set the beams according to present-day usage in our new edition.\u003cbr\u003eOur edition also fundamentally reproduces the figuration of the first edition. The occasional displacement of thoroughbass figures was corrected without comment. The first edition (and the later sources based on it) proceeds from the assumption that the continuo player will supply the accidentals whenever they can be deduced from the context. The same also often applies to sixth chords. The thoroughbass realization has taken this into account. The figuration diverges a few times from the harmony heard in the violins; we continue to follow the source here, while providing the correct harmony in the realization.\u003cbr\u003eWe are aware that the “realization” or laying-down in writing of the basso continuo (which is ultimately a profoundly improvisatory art form) is actually quite preposterous and even quite restrictive for the player, who all too easily understands it as “printed music that must be played in this form.” Nevertheless, in our figured-bass realization, we wish to provide an idea of the harmonic activity that can be comfortably grasped by the less experienced player. This can serve as a starting point for one’s own elaboration, which can then react sensitively and imaginatively to the paradigms of instrument (organ or harpsichord), space and performance style of the strings.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650730065,"sku":"MR-2273","price":50.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004488591_67bc93a6-6f0e-4fa8-96ff-9809743ad6d0.jpg?v=1600142889"},{"product_id":"weissenborn-six-trios-mr2107","title":"Weissenborn 6 Trios for 3 Bassoons","description":"","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650828369,"sku":"MR-2107","price":25.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/7935_werkcover.jpg?v=1600142889"},{"product_id":"beethoven-piano-concerto-2-fs-pb14560","title":"Beethoven Piano Concerto 2 FS","description":"","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650861137,"sku":"PB-14560","price":58.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004211014_4748996a-8d48-48f1-a8aa-92b362931b15.jpg?v=1600142890"},{"product_id":"danzi-sinfonia-concertante-op4-mr2076a","title":"Danzi Sinfonia Concertante in Bb major Op. 41","description":"for Flute, Clarinet, Piano\u003cbr\u003eedited by John Paul Newhill\u003cbr\u003eMusica Rara Series","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650893905,"sku":"MR-2076a","price":69.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004486337_66da5e81-9a31-4986-9ac0-cf517a157f09.jpg?v=1600142891"},{"product_id":"bach-complete-organ-works-v4-eb8804","title":"Bach Complete Organ Works, Vol. 4:","description":"\u003cspan\u003eToccatas and Fugues \/ Individual Works\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eedited by Jean-Claude Zehnder\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650926673,"sku":"EB-8804","price":45.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183755_b2676184-0750-4636-a139-5f1fd5c61b2d.jpg?v=1600142892"},{"product_id":"bach-complete-organ-works-v7-eb8807","title":"Bach Complete Organ Works Vol. 7: Orgelbüchlein","description":"\u003cspan\u003eedited by Sven Hiemke\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe basic repertoire of the 45 choral preludes of the \u003ci\u003eOrgelbüchlein\u003c\/i\u003e is hard to get by for any organist. Edited by Sven Hiemke, the volume offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach's graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era but not with the source, however, since the composer himself notated the pieces of the \u003ci\u003eOrgelbüchlein\u003c\/i\u003e on two staves, either for reasons of economy or for lack of space. Early versions and anonymous arrangements, which should encourage organists to explore this repertoire in greater depth, are provided online.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650959441,"sku":"EB-8807","price":31.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183762_316ad101-129e-4ae2-991d-33adbfe1944d.jpg?v=1600142893"},{"product_id":"tchaikovsky-violin-concerto-fs-pb15115","title":"Tchaikovsky Violin Concerto in D, Op. 35","description":"Full Score edited by Ernst Herttrich\u003cbr\u003e\u003cspan\u003eTchaikovsky had the printing of his epoch-making violin concerto supervised with great care, and he even examined the proofs himself for the publication of the version for violin and piano in 1878, which was followed by the orchestral parts the following year and the score in 1888. After many editions and respective arrangements by Leopold Auer in 1899, Fritz Kreisler in 1939 and, most recently, by Konstantin G. Mostras and David Oistrakh, based on Auer comes an Urtext edition that takes into account all surviving sources and critically evaluates them, a matter of great importance for both scholars and performing artists.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535650992209,"sku":"PB-15115","price":99.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212707_24d89a10-5444-47f7-ae66-46a84cf10bf4.jpg?v=1600142894"},{"product_id":"faure-cello-sonata-in-a-minor-eb8345","title":"Faure: Cello Sonata in A major Op. 13","description":"\u003cp\u003e\u003cspan\u003efor Cello and Piano\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn 1876, ten years before César Francks violin sonata in the same key, Gabriel Fauré made a major contribution to the first flowering of French chamber music with his A-major Sonata op. 13. He even found a publisher for it right away, namely Breitkopf \u0026amp; Härtel in Leipzig. Both the work and the composer were warmly acclaimed immediately after the publication: This sonata contains everything that appeals to the gourmet: new forms, wonderful modulations, unusual tone colors, unexpected rhythms. The publisher seems to have picked out a true gem from Faurés oeuvre, for the sonata soon became very popular, and in 1889, Breitkopf \u0026amp; Härtel heightened this popularity by releasing an arrangement for violoncello by Carl Hüllweck. It is likely that Fauré not only approved the arrangement, but also proofread it. Long out of print, this edition will once again allow cellists to enjoy Faurés violin sonata in a competent period arrangement.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651024977,"sku":"EB-8345","price":38.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004184288_3af312d8-80c4-4917-8aba-6c565539076f.jpg?v=1600142895"},{"product_id":"beethoven-violin-concerto-op61-eb8656","title":"Beethoven Violin Concerto in D major Opus 61","description":"\u003cp\u003efor violin and piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhat with all the traditional editions available on the market, can we still expect new readings? This is what editor Clive Brown asked himself as he meticulously examined the often conflicting sources. The result is a wealth of new readings in the score, which deserve as much attention as the extensively commented arrangement for violin and piano. The treatment of the solo instrument is particularly interesting: next to the Urtext solo part, the edition also contains a historically informed and marked-up part with fingerings and bowings that go back to Franz Clement, the soloist of the premiere performance, and to the Viennese performance tradition of Beethovens time. For violinists of today, this is a treasure trove of new, innovative ideas and suggestions for the individual shaping of the part.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1. Allegro non troppo (23 ')\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2. Larghetto\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3. Rondo (Allegro) (9')\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651057745,"sku":"EB-8656","price":32.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004184264_8d3de1c2-94e7-4de5-93a4-f6bb0d07acae.jpg?v=1600142896"},{"product_id":"scheidt-piano-transcriptions-eb8831","title":"Scheidt Keyboard Music Transmitted in Manuscript Form","description":"\u003cspan\u003eTwelve pieces are ascertainably by Scheidt, three are early versions of pieces from the Tabulatura nova, and ten can be assigned to Scheidt with absolute certainty on the basis of stylistic criteria. It was long believed that some of these works had been written by Sweelinck. But Dirksen, as co-editor of the Sweelinck Works for Keyboard Instruments (EB 8741-44), applies his vast stylistic knowledge to this matter and, after a detailed study of the sources, separates the pupil Scheidt from his teacher Sweelinck.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Urtext edition presents the musical text in the form of a practical source edition. It guarantees authenticity, since it follows the notation in the sources as closely as possible and reproduces several characteristics of the notational practice of the time.\u003c\/span\u003e\u003cbr\u003eUrtext edited by Pieter Dirksen","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651090513,"sku":"EB-8831","price":67.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004183953_75c0f1ef-79f8-4c72-8b5b-16404dd3f881.jpg?v=1600142897"},{"product_id":"bach-trio-sonata-g-major-bwv-1-km2230","title":"Bach Trio sonata in G major BWV 1038","description":"\u003cp\u003efor Flute, Violin and B.C.\u003cbr\u003eauthorship unproven edited by Barthold Kuijken\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Trio Sonata BWV 1038 is the first edition of chamber music for flute by Johann Sebastian Bach that Barthold Kuijken has prepared. Scholars have long doubted the authorship of this work for stylistic reasons,\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e... even though the performance parts of the principal source were written by Bach himself; unfortunately he forgot, or did not consider it necessary, to append his name to the music. Kuijken rolls out some convincing arguments that refute the thesis that the young Carl Philipp Emanuel Bach worked out the trio version from the Violin Sonata BWV 1022. The edition also examines a variety of new findings on the origin of the work in the preface, and offers a faultless Urtext with a stylistically masterfully realized continuo part, all reflecting the highest editorial standards. The continuo has been realized by Ewald Demeyere, taking contemporary treatises into account.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651123281,"sku":"KM-2230","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004503102_72e78520-9f4b-4386-909b-dac2c0f05285.jpg?v=1600142897"},{"product_id":"tchaikovsky-capriccio-italian-pb5515-07","title":"Tchaikovsky Capriccio Italien Opus 45","description":"\u003cspan\u003eThe present edition is based on all relevant sources. The preface sketches the work's genesis from the moment of its conception in Rome in late December 1879 (\"Yesterday, out in the streets, I heard a wonderful folksong that I will most certainly make use of.\") to the first reviews, in which Tchaikovsky was accused of \"triviality\" and of having made an \"extremely unfortunate\" choice of themes. Yet this did nothing to hamper the worldwide success of the work, and Tchaikovsky's composer colleagues also culled ideas from it: a few years later, Tchaikovsky himself was the dedicatee of Nikolay Rimsky-Korsakov's \u003c\/span\u003e\u003cem\u003eCapriccio espagnol\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651156049,"sku":"PB-5515","price":16.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004212486_047f76c7-de1c-45d2-96c3-99564f590bff.jpg?v=1600142898"},{"product_id":"rozsa-violakonzert-op-37-eb8434","title":"Rozsa Viola Concerto Opus 37","description":"\u003cp\u003efor viola and piano\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMiklós Rózsas \u003c\/span\u003e\u003cem\u003eViola Concerto\u003c\/em\u003e\u003cspan\u003e op. 37 is the composers last orchestral work. It concludes a series of concertos in which Rózsa devoted one piece each to an instrument that he was particularly fond of (violoncello, piano, violin and the \u003c\/span\u003e\u003cem\u003eSinfonia concertante\u003c\/em\u003e\u003cspan\u003e for violin and violoncello) or to a specific performer. The \u003c\/span\u003e\u003cem\u003eViola Concerto\u003c\/em\u003e\u003cspan\u003e is dedicated to the then young soloist Pinchas Zukerman, who gave the first performance of the piece in May 1984 in Pittsburgh under the direction of André Previn. A surprising touch is the concertos four-movement form. In the works dark instrumental colors, the composer underlines his great admiration for his acclaimed fellow Hungarian Béla Bartók more intensely than ever before.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"table table-striped\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e1. Moderato assai\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e2. Allegro giocoso\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e3. Adagio\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e4. Allegro con spirito\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651254353,"sku":"EB-8434","price":77.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004177396_4941a979-6c5c-44e7-8732-b4e155900c8c.jpg?v=1600142900"},{"product_id":"moussorgsky-boris-godunow-rus-eb8563","title":"Moussorgsky Boris Godunov - Vocal Score","description":"\u003cp\u003eOriginal Version (1868\/69) and Final Version (1872\/74)\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Original version of 1868\/69 consists of seven scenes in one prologue and three acts:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. Courtyard of the Novodevichy monastery  \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Square in the Kremlin. Coronation scene \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Pimens cell in the Chudov monastery \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Inn scene \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. A room in the Czars apartments in the Kremlin \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Outside St. Basils Cathedral \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e7. Council of Boyars. Death of Boris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eWhen the work was rejected by St. Petersburgs Mariinsky Theater, Mussorgsky followed the advice of friends and revised the opera. In the Final version of 1871\/72, he expanded the fifth scene, scrapped the sixth and added three new scenes, so that the opera now consisted of nine scenes in one prologue and four acts:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e1. 4. see 1868\/69 5. A room in the Czars apartments in the Kremlin 6. Marinas boudoir in Sandomir 7. Palace park in Sandomir 8. Council of Boyars. Death of Boris 9. In the forest of Kromy (Revolution scene)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe score published under the supervision of Pavel Lamm in the Complete Edition (1928) and the piano reduction (1931) contain the parts of both versions transmitted in score, as well as in the piano reduction, all the changes made by Mussorgsky in his piano reduction of 1874. The performance material can thus be used for a production of either the original version or the final version, according to need.\u003c\/span\u003e\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32535651287121,"sku":"EB-8563","price":144.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004178522_76ab425d-b558-40d8-beb8-c10cb61a78a1.jpg?v=1600142901"},{"product_id":"dvorak-violoncellokonzert-h-mo-pb537907","title":"Dvořák: Cello Concerto in B minor, Op. 104 (Study Score)","description":"\u003cp\u003eChoosing an edition of this celebrated\u003cspan\u003e \u003c\/span\u003e\u003cem\u003evioloncello concerto\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas always posed a dilemma: they were based either on the first edition, which was not given a final authorization by Dvorák, or solely on the autograph, which does not represent the final version in many instances. This was the case with the Dvorák Complete Edition of 1955, for example.Klaus Döge has critically re-examined all the surviving sources. His research has yielded a new, text-critical edition that meticulously evaluates the many, often contradictory readings that create discrepancies between the autograph and the first edition. In the conclusions he draws for performance practice, Döge generally gives priority to the first edition. However, he does not smooth out Dvorák's special notation, such as Dvorák's publisher Simrock did in his day.Döge's edition also shows that the musical text is not as authenticated as has been suggested by previous editions. Variants have occasionally been notated on a second staff at several passages, particularly in the solo part.\u003cbr\u003eThe piano reduction, which was prepared by the composer himself, has been edited according to text-critical criteria for the first time as well. Döge was able to rely on a renowned performer for this part of his work: Heinrich Schiff, who arranged the solo part and provides valuable interpretative tips in his commentaries on performance practice.\u003c\/p\u003e","brand":"BREITKOPF \u0026 HARTEL - 15131","offers":[{"title":"Default Title","offer_id":32038568230993,"sku":"PB-5379","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/9790004210369_b418a36d-43c3-490d-aa79-13743c2cd43f.jpg?v=1600142902"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/collections\/banner_shorter.jpg?v=1742151809","url":"https:\/\/juilliardstore.com\/collections\/breitkopf-hartel.oembed?page=12","provider":"Juilliard Store","version":"1.0","type":"link"}