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The series begins with works by the composers Rieding , Seitz and Vivaldi which are clear favourites amongst the first solo concertos played. The editions inclu de a solo violin part and a piano reduction for the accompanist.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe series is edited by Kurt Sassmannshaus , the internationally-renowned violin teacher and co-author of the Sassmannshaus violin school tradition. His forewords introduce these little gems and inclu de tips to ensure successful first concerts.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThese volumes form an i de al continuation of the Sassmannshaus school editions and can be used in parallel from volume three onwards: They can also be used to supplement any violin method. 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Whatever the case, her career, as we all know, took off on a different slant. But the Student Concerto in G major, op. 13, advanced to become one of the most popular and effective recital pieces for young violinists en route to the great concert stage.\u003cbr\u003e\r\n\u003cbr\u003e\r\nFriedrich Seitz was a concertmaster and violin teacher, first in Magdeburg and later, from 1884, in Dessau. He published his op. 13 concerto in 1893. It is laid out in the conventional three movements: a charming Allegro non troppo poised between concert and salon music, a sentimental Adagio in a minor key, and a merry Rondo in 6\/8 metre as a finale. Like almost every work by this passionate music educator, it stands in the facile e brillant tradition, achieving maximum impact with minimum technical demands while adopting the posture of a virtuoso concerto. A solid command of the first position is sufficient for its performance, with good left- and right-hand coordination required in the fast passages. The learner's technical skills are honed on simple double stops and détaché, legato and elementary spiccato bowing. Typical formal sections, such as a cadenza in the opening movement, and lovely, memorable melodies, call for an imaginative delivery: students learn how much fun it can be to play 'virtuoso' music!\u003cbr\u003e\r\n\u003cbr\u003e\r\nThis edition appears in the Bärenreiter's Concert Pieces series, which includes popular concertos and concert pieces for young violinists. The editor is the internationally acclaimed violin teacher Kurt Sassmannshaus, who has added fingering and bowing to the solo part and explains the technical requirements in a short preface.\u003cbr\u003e\r\n\u003cbr\u003e\r\n- One of the most popular and effective student concertos of the 19th century\u003cbr\u003e\r\n- Written entirely in first position\u003cbr\u003e\r\n- Includes a solo part and a score with the piano accompaniment\u003cbr\u003e\r\n- Short preface in German and English with information on technical requirements\u003cbr\u003e\r\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748735569,"sku":"BA08972","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_a09f8d0c-1e20-4409-b1ed-4c4c1afed4b3.jpg?v=1600151344"},{"product_id":"rossini-barber-of-seville-tp00411","title":"Rossini The Barber of Seville","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Brauner, Patricia B.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Voc.\/Ch\/Orch\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of work:\u003c\/strong\u003e I\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of text:\u003c\/strong\u003e I\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e study score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XXIII, 552 - 22,5 x 16,5 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eThis study score is based on the critical edition of “The Barber of Seville” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “The Barber of Seville”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars and performers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two flutes, two oboes and timpani, or in the scoring for the subsequent opera “The Barber of Seville” (with just one flute, one oboe and no timpani).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA series of appendices contain music and information which have been included in no other edition of the opera to date.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Takes into consideration the full extent of Rossini’s personal notational characteristics\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- With a detailed foreword (Eng\/Ital)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748801105,"sku":"TP00411","price":72.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_0df24c15-9a64-40e7-bfa9-be7a1d3e4e6b.jpg?v=1600151345"},{"product_id":"brahms-fantasies-op-116-piano-ba09628","title":"Brahms Fantasies op. 116","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Köhn, Christian\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XI, 31 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eComposed in 1892-93, Brahms piano pieces opp. 116 to 119 are the last collections that he wrote for the instrument. Particularly noteworthy is his use of 'small forms' accompanied by a further increase in musical expression compared to his earlier works. In November 1892 Clara Schumann, probably the secret dedicatee of these pieces, confided to her diary that they were 'a true source of enjoyment, everything, poetry, passion, rapture, intimacy, full of the most marvellous effects [...]. In these pieces I at last feel musical life re-enter my soul, and I play once more with true devotion.'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Fantasies, op. 116, were composed in the Austrian resort of Bad Ischl in summer 1892. Clara described them ecstatically as 'wonderfully original piano pieces', four 'dreamlike' intermezzos and three 'deeply passionate' capriccios. The former are moderately difficult to play, while the capriccios require considerable virtuosity.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Scholarly-critical Urtext edition for performers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reliable musical text incorporating all available sources\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Spacious layout on the page with practical page turns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Added fingering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Informative bilingual introduction (Eng\/Ger)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe editor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristian Köhn teaches piano at the Musikhochschule in Detmold. One of his specialties is the piano music of Johannes Brahms. 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In addition to the Serenades for piano four-hands, opp. 11 and 16 (BA 6570 and 6571), he has already edited many of Brahms's solo piano works for Bärenreiter.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748833873,"sku":"BA09628","price":12.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_4a0dd8b7-7d16-4306-bdde-e44f5cc43059.jpg?v=1600151345"},{"product_id":"sweelinck-organ-works-v-ii-2-ba08476","title":"Sweelinck: Complete Organ and Keyboard Works, Vol. 2 (Polyphonic Works - Part 2)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Rampe, Siegbert\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\/harpisc.\/piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Anthology, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XVII, 95 - 24,0 x 30,5 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eThe central importance of Jan Pieterszoon Sweelinck (1562–1621) for Baroque keyboard music can hardly be overestimated. Siegbert Rampe’s scholarly performing edition is the first edition of Sweelinck’s complete keyboard works which differentiates between works of certain authenticity, works of uncertain authenticity and doubtful works. The eight volume edition, complete with commentaries in German and English, reflects the latest state of scholarly research.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVolume II.2 completes the publication of the Urtext edition. Volumes II.1 and 2 include all 22 fantasias and echo fantasias which have survived under Sweelinck’s name or are attributed to him, four ricercari and a capriccio. The appendix contains four further fantasias. In addition, several compositions are published for the first time in different, presumably original versions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Definitive complete Urtext edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Each volume contains facsimiles and a critical commentary (Ger\/Eng) with a list of sources\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Detailed forewords (Ger\/Eng) on the structure of the works and editorial technique\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- With tips on instrumentation and performance practice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Notes on ornamentation\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e Vorwort \/ Preface\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eFaksimilia \/ Facsimiles\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eWorks of Certain Authenticity:\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia à 4. G-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia G-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003ePhantasia à 4. a-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eRicercar del Nono tono a-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eWorks of Uncertain Authorship:\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia d-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eRicercar a 4 voc[i]. d-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eRicercar d-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eRicercar. d-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFuga 7. toni G-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eCapricio a-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003ePhantasia Ut sol fa mi. C-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia C-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eAttributed Works:\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia A 4 F-Dur\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eComposer \/ Author:\u003cbr data-mce-fragment=\"1\"\u003eSweelinck, Jan Pieterszoon\u003cbr data-mce-fragment=\"1\"\u003eFantasia A. 2: 3: et 4 Vocum a-Moll\u003cbr data-mce-fragment=\"1\"\u003eInstrumentation:\u003cbr data-mce-fragment=\"1\"\u003eOrgel, Cembalo, Klavier\u003cbr data-mce-fragment=\"1\"\u003e·\u003cbr data-mce-fragment=\"1\"\u003eKritischer Bericht \/ Critical Commentary\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748768337,"sku":"BA08476","price":57.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_47ab4117-07d7-4a62-aa67-2be47ff8b119.jpg?v=1600151346"},{"product_id":"brahms-3-intermezzi-op-117-pia-ba09629","title":"Brahms Drei Intermezzi op. 117","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Köhn, Christian\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XI, 14 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eComposed in 1892-93, Brahms's piano pieces opp. 116 to 119 are the last collections that he wrote for the instrument. Particularly noteworthy is his use of 'small forms' accompanied by a further increase in musical expression compared to his earlier works. In November 1892 Clara Schumann, probably the secret dedicatee of these pieces, confided to her diary that they were 'a true source of enjoyment, everything, poetry, passion, rapture, intimacy, full of the most marvellous effects [...]. In these pieces I at last feel musical life re-enter my soul, and I play once more with true devotion.'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLike the op. 116 Fantasies (BA 9628), the Three Intermezzos op. 117 were composed in the Austrian resort of Bad Ischl in summer 1892. Brahms sent them to Clara as 'a little continuation' of the previous volume. The first of the pieces achieved great popularity. Brahms prefaced it with the lines 'Sleep softly, my child, sleep softly and deep! \/ How much it hurts to see you weep' from Herder's folk poetry collection Stimmen der Völker. He turned down the attempt of his Bonn publisher Simrock to issue the piece separately as a 'cradle song or lullaby'.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Scholarly-critical Urtext edition for performers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reliable musical text incorporating all available sources\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Spacious layout on the page with practical page turns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Ideal for lessons with advanced learners\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Added fingering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Informative bilingual introduction (Eng\/Ger)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe editor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristian Köhn teaches piano at the Musikhochschule in Detmold. One of his specialties is the piano music of Johannes Brahms. Together with his duet partner Silke-Thora Matthies, he is a prize-winner of the Munich Competition and has released the world's first complete recording of Brahms's works for piano duet. In addition to the Serenades for piano four-hands, opp. 11 and 16 (BA 6570 and 6571), he has already edited many of Brahms's solo piano works for Bärenreiter.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748866641,"sku":"BA09629","price":11.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_da9048cf-74a5-49bb-96fd-cf45e6a00324.jpg?v=1600151347"},{"product_id":"janacek-string-quartet-no-2-ba09533","title":"Janacek String Quartet No 2 (Intimate Letters)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Faltus, Leos \/ Stedron, Milos\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e 2V\/Va\/Vc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e set of parts\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e in a folder\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eJanácek’s 2nd String Quartet, “Intimate Letters”, is regarded as a highlight of the modern string quartet literature. It was written during the composer’s last year of life, between 29 January and 19 February 1928, inspired by the ageing Janácek’s exceptional love for Kamila Stösslová. The Moravian Quartet devoted themselves to this impressive work; Janácek attended a total of three of their rehearsals in May and June 1928. This had several consequences, including his abandoning his original idea of using a viola d’amore.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAfter Janácek’s unexpected death (12 August 1928) the uncertain genesis of the work became the greatest problem of the “Intimate Letters”: the surviving copies were not definitively authorised.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe editors of this new edition have reverted to Janácek’s autograph sketches as the main, most reliable source and using these as a basis, have reconstructed the work as it stood at the point of Janácek’s death. The musical text, taken from the “Critical Complete Edition of the Works of Leos Janácek” (Vol. E\/4), therefore contains clear differences in comparison with older editions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Urtext based on the “Critical Complete Edition of the Works of Leos Janácek”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- With a foreword by Milos Stedron (Cz\/Eng\/Ger)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Autograph sketches used as the primary source\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748932177,"sku":"BA09533","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_18fc4b50-0e62-497f-96e6-a58ca766c222.jpg?v=1600151348"},{"product_id":"brahms-piano-pieces-op-118-ba09630","title":"Brahms Piano Pieces op. 118","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Köhn, Christian\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XI, 25 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eComposed in 1892-93, Brahms’s piano pieces opp. 116 to 119 are the last collections that he wrote for the instrument. Particularly noteworthy is his use of 'small forms' accompanied by a further increase in musical expression compared to his earlier works. In November 1892 Clara Schumann, probably the secret dedicatee of these pieces, confided to her diary that they were 'a true source of enjoyment, everything, poetry, passion, rapture, intimacy, full of the most marvellous effects [...]. In these pieces I at last feel musical life re-enter my soul, and I play once more with true devotion.'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe Six Piano Pieces, op. 118, include four intermezzos, a ballad and a romance. They were composed in summer 1893 in the Austrian resort of Bad Ischl, where Brahms had written the Fantasies, op. 116 (BA 9628), and Three Fantasies, op. 117 (BA 9629), the previous year. Once again Clara Schumann was allowed to try out the pieces, which she greeted as 'treasures': Brahms, she said, had given expression to 'a wealth of feeling within the narrowest of confines'. Indeed, the frequently played pieces of op. 118 reveal his musical cosmos in concentrated form with kaleidoscopic variety.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Scholarly-critical Urtext edition for performers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reliable musical text incorporating all available sources\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Spacious layout on the page with practical page turns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Ideal for lessons with advanced learners\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Added fingering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Informative bilingual introduction (Eng\/Ger)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe editor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristian Köhn teaches piano at the Musikhochschule in Detmold. One of his specialties is the piano music of Johannes Brahms. Together with his duet partner Silke-Thora Matthies, he is a prize-winner of the Munich Competition and has released the world's first complete recording of Brahms's works for piano duet. In addition to the Serenades for piano four-hands, opp. 11 and 16 (BA 6570 and 6571), he has already edited many of Brahms's solo piano works for Bärenreiter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748899409,"sku":"BA09630","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_a45bed1c-8c85-4a7d-88fa-cf6c519d9a91.jpg?v=1600151349"},{"product_id":"classic-goes-jazz-13-arr-piano-ba08760","title":"Classic Goes Jazz: 13 Jazzy Arrangements","description":"\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, CD, Anthology\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 36 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eClassical themes in the broadest sense are the basis for Jean Kleeb’s varied, jazz-orientated piano arrangements . Jean Kleeb is adept at taking the best-known baroque, classical and romantic themes and placing them in a new light so that “classical” as well as jazz pianists will derive a great deal of enjoyment from this selection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Classical melodies in a jazz interpretation\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Pieces of medium technical difficulty\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Fun and variety guaranteed\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“Classic Goes Jazz provides useful models for improvisation and even an introduction into the mixed metrics of free jazz.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e(Piano Journal issue 2 2010)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530748997713,"sku":"BA08760","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_ecb624bc-a745-4cac-9861-a8caf2dea9fd.jpg?v=1600151352"},{"product_id":"saint-saens-allegro-appassiona-ba09047","title":"Saint-Saens Allegro Appassionato for Violoncello with Piano Accompaniment op. 43","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Baur, Christine\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Vc\/piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, part(s), Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XII, 11\/3\/3 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eSince its premiere in 1873 this work has held an important place in the violoncello repertoire. It is on the one hand a short charming composition; on the other hand, equally important, is its use in instruction during the first few years of playing. Central here are the articulation of the opening theme and its various repetitions juxtaposed with lyrical passages calling for legato playing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eChristine Baur’s new scholarly-critical edition is based on a thorough examination of all the sources, including Saint-Saëns’ later orchestral version. The edition incorporates many articulation alternatives for the soloist, which are marked “ossia” above the solo cello line in this version for cello and piano.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis important new publication offers cellists not only an Urtext part, but also one with bowing and fingering; both parts have a fold-out page so that no page turns are necessary.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- The first Urtext edition of this important work\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Fold-out page in the solo cello part, so no page turns are needed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Includes articulation alternatives as “ossias“\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749030481,"sku":"BA09047","price":15.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_9fa2945e-8679-4252-bfa8-7abc324e7917.jpg?v=1600151353"},{"product_id":"brahms-piano-pieces-op-119-ba09631","title":"Brahms Piano Pieces op. 119","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Köhn, Christian\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XI, 20 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eComposed in 1892-93, Brahms’s piano pieces opp. 116 to 119 are the last collections that he wrote for the instrument. Particularly noteworthy is his use of 'small forms' accompanied by a further increase in musical expression compared to his earlier works. In November 1892 Clara Schumann, probably the secret dedicatee of these pieces, confided to her diary that they were 'a true source of enjoyment, everything, poetry, passion, rapture, intimacy, full of the most marvellous effects [...]. In these pieces I at last feel musical life re-enter my soul, and I play once more with true devotion.'\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAfter completing his op. 118 (BA 9630), Brahms, still in the resort town of Bad Ischl in the Salzkammergut region, wrote his final collection of piano pieces: the three intermezzos and rhapsody, op. 119. His publisher wanted to put a catchier name on the title page of the print, but Brahms remained adamant: 'I'm afraid I certainly cannot call them Monologues or Improvisations this time, try as I may. I suppose there is nothing left but 'Piano Pieces'!'\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Scholarly-critical Urtext edition for performers\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Reliable musical text incorporating all available sources\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Spacious layout on the page with practical page turns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Ideal for lessons with advanced learners\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Added fingering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Informative bilingual introduction (Eng\/Ger)\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe editor\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChristian Köhn teaches piano at the Musikhochschule in Detmold. One of his specialties is the piano music of Johannes Brahms. Together with his duet partner Silke-Thora Matthies, he is a prize-winner of the Munich Competition and has released the world's first complete recording of Brahms's works for piano duet. In addition to the Serenades for piano four-hands, opp. 11 and 16 (BA 6570 and 6571), he has already edited many of Brahms's solo piano works for Bärenreiter.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749096017,"sku":"BA09631","price":16.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_285960da-1f4e-4599-b900-05f186b36182.jpg?v=1600151354"},{"product_id":"beethoven-concerto-piano-op61-ba09013-90","title":"Beeethoven Concerto for Pianoforte and Orchestra D major op. 61 (after the Violin Concerto)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Del Mar, Jonathan\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArranger:\u003c\/strong\u003e Schelhaas, Martin\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano-solo\/fl\/2ob\/2clarinet\/2bassoon\/2hn\/2Trp\/timpani\/2v\/va\/vc\/double bass\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e piano reduction, part(s), Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 64\/53\/53 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eAfter attending the premiere of Beethoven’s stately concerto for violin and orchestra Muzio Clementi approached the composer and requested the work in a transcription for piano and orchestra; his wish was fulfilled in 1807 providing us with not just an alternative version of the composition but also one with authentic cadenzas which Beethoven had not written for the Violin Concerto! This version has waited a long time to be properly edited after the existing sources and the famed Beethoven scholar Jonathan Del Mar has done just that!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWorking with all known sources, Del Mar finally presents us with Beethoven’s solo piano articulation and dynamics and Beethoven’s cadenzas. And, for the first time we now have clarity regarding the meaning of Beethoven’s Solo and Tutti markings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAll in all, a groundbreaking scholarly critical edition; a “must“ for every pianist, every orchestra and every music library.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe piano reduction will be presented in a new format:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAs customary in the 19 th century there will be a solo piano part containing tutti passages, cues and the piano solo. This part will be inserted – as with string and wind concertos – in the piano reduction. This affords the soloist sensible page turns and offers the possibility to lead the ensemble from the piano. The piano reduction will include the reduction of the orchestral score as well as the solo piano part above it in small print.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- High quality Bärenreiter Urtext edition\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- Urtext solo piano part and an additional piano part with fingering\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- New kind of presentation of the piano reduction incorporating solo piano parts as customary in the 19 th century\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749063249,"sku":"BA09013-90","price":48.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_78e70ce6-37a5-4dfd-987f-6c2d0352bb89.jpg?v=1600151354"},{"product_id":"debussy-string-quartet-op-10-tp01414","title":"Debussy String Quartet for 2 Violins, Viola and Violoncello op. 10","description":"Debussy’s only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period, “ Prélude à l’après -midi d’un faune ” and “ Pelléas et Mélisande ”, the quartet established the composer’s position as the rising star of the French music scene.\u003cbr\u003e \u003cbr\u003e Discrepancies existed from the initial publication in 1894 between the score, corrected and seen into print by the composer and the parts, not corrected by him. At a later point, Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.\u003cbr\u003e \u003cbr\u003e This scholarly-critical edition utilises all sources including the composer’s letters, which offer a valuable insight into the genesis of the composition.\u003cbr\u003e \u003cbr\u003e - Indispensable edition for all string quartets\u003cbr\u003e - High quality Bärenreiter Urtext edition\u003cbr\u003e - With a foreword (Ger\/Fr\/Eng) and facsimiles","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749161553,"sku":"TP00414","price":24.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/std_01.gif.pagespeed.ce.MyGGpE2dEw.gif?v=1600151355"},{"product_id":"debussy-string-quartet-op-10-ba09414","title":"Debussy String Quartet Opus 10","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Woodfull-Harris, Douglas\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e 2V\/Va\/Vc\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e set of parts, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e in a folder\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 15\/17\/15\/15 - 31,0 x 24,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eDebussy’s only string quartet composed in 1893 was his first masterwork. Together with two further works from this creative period, “Prélude à l’après-midi d’un faune and Pelléas et Mélisande”, the quartet established the composer’s position as the rising star of the French music scene.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDiscrepancies existed from the initial publication in 1894 between the score, corrected and seen into print by the composer and the parts, not corrected by him. At a later point, Debussy made a large number of corrections and alterations in a copy of the first edition; these alterations have been incorporated in this Bärenreiter Urtext edition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis scholarly-critical edition utilises all sources including the composer’s letters, which offer a valuable insight into the genesis of the composition.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e- Indispensable edition for all string quartets\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e- High quality Bärenreiter Urtext edition\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749128785,"sku":"BA09414","price":41.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_e17bc7e1-d70a-4156-bfc3-ad230e417d34.jpg?v=1600151356"},{"product_id":"sassmanhaus-viola-v-4-early-ba09689","title":"Sassmannshaus Early Start on the Viola, Volume 4 -A viola method for children-","description":"\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e 2Va\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of text:\u003c\/strong\u003e GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 72 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eVolume 4 expands playing in upper positions, introduces new bowing techniques, and trains the latter by means of scales in every key and increasingly demanding classical duets. Three-note chords, harmonics and further ornaments (lower mordents, grace notes, gruppettos) advance the young violist’s playing technique.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBy now students will have attained a level of technique and interpretation that allows them to venture into the concert literature while they study Volume 4. Violin concertos by Rieding and Seitz, arranged for viola, are found in Bärenreiter's Concert Pieces, a series edited by Kurt Sassmannshaus that proves an ideal continuation of the Sassmannshaus tutors. Students can also play the original compositions and arrangements in the collection “Concert Pieces for Viola and Piano” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9697\/\"\u003eBA 9697\u003c\/a\u003e\u003cspan\u003e), which form a bridge to the viola's standard concert repertoire.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe authors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 1976 Egon Sassmannshaus, one of the most experienced and renowned violin teachers in Germany, published his tutor “Früher Anfang auf der Bratsche”. This standard work for young string players quickly became the most popular and best-selling tutor in the German-speaking countries for beginners on the viola. His son Kurt Sassmannshaus functioned as co-editor of the English-language edition, “Early Start on the Viola” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9686\/\"\u003eBA 9686\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9687\/\"\u003eBA 9687\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9688\/\"\u003eBA 9688\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9689\/\"\u003eBA 9689\u003c\/a\u003e\u003cspan\u003e), adapting his father's successful tutor to meet the needs and requirements of English-speaking children.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe combined knowledge and experience of both father and son make these four volumes the most thoroughly researched and thought-through viola tutor for beginners all over the world.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749390929,"sku":"BA09689","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_30b5ee23-49f0-4dda-996c-b6f044bfe975.jpg?v=1600151357"},{"product_id":"vierne-organ-works-vi-ba09226","title":"Vierne Sixth Symphony op. 59 (1930)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Schauerte Maubouet, Helga\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XXXV, 84 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eThe Sixth Symphony, op. 59, is Vierne's last major work conceived for the organ of Notre-Dame. Besides the Quatre poèmes grecs, op. 60 (for voice and harp or piano) and the Ballade du désespéré, op. 61 (for tenor and or-chestra or piano), merely the somber Stèle pour un enfant défunt, op. 58, no. 3, and the Messe basse pour les défunts, op. 62, were written for organ in the period that followed. In the manuscript - it is the last organ work that he wrote down himselfl - Vierne dated the Symphony ”Roquebrune, 15 ]uly-15 September 1930.” During that summer, which he spent at the Richepin family's country house in Carnolès near Menton on the Mediterranean, Vierne also played an organ concert in the cathedral in Monaco? The Symphony was published at the beginning of September of the following year.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749194321,"sku":"BA09226","price":47.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_b231df21-981a-45b9-82b8-5eb2b2f62698.jpg?v=1600151358"},{"product_id":"sassmanhaus-viola-v-3-early-ba09688","title":"Sassmannshaus Early Start on the Viola, Volume 3 -Elementary duets. Dances and other pieces in various keys-","description":"\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e 2Va\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of text:\u003c\/strong\u003e GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 72 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eThe main focus of Volume 3 lies on duet playing in different metres and keys. The variety of the selected recital pieces is designed to encourage fun in music-making and to develop a feeling for contrasting musical styles. On this basis, the familiar finger patterns and bowing strokes are thoroughly practiced and expanded. Learners also encounter fundamental ornaments (trills, appoggiaturas, upper mordents) and a new rhythmic unit: the triplet.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA table on the inside back cover lists page numbers for all the duets contained in this volume and in Volume 3 of the cello tutor “Früher Anfang auf dem Cello” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9693\/\"\u003eBA 9693\u003c\/a\u003e\u003cspan\u003e), making it possible to play the pieces with viola and cello.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe authors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 1976 Egon Sassmannshaus, one of the most experienced and renowned violin teachers in Germany, published his tutor “Früher Anfang auf der Bratsche”. This standard work for young string players quickly became the most popular and best-selling tutor in the German-speaking countries for beginners on the viola. His son Kurt Sassmannshaus functioned as co-editor of the English-language edition, “Early Start on the Viola” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9686\/\"\u003eBA 9686\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9687\/\"\u003eBA 9687\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9688\/\"\u003eBA 9688\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9689\/\"\u003eBA 9689\u003c\/a\u003e\u003cspan\u003e), adapting his father's successful tutor to meet the needs and requirements of English-speaking children.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe combined knowledge and experience of both father and son make these four volumes the most thoroughly researched and thought-through viola tutor for beginners all over the world.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749423697,"sku":"BA09688","price":21.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_621efa2e-aba6-4e20-9c8f-8118d4742b80.jpg?v=1600151359"},{"product_id":"sassmanhaus-viola-v-2-early-ba09687","title":"Sassmannshaus: Early Start on the Viola - Volume 2","description":"\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Va\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of text:\u003c\/strong\u003e GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 64 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eVolume 2 in our series, with colour illustrations and easy-to-read fingering charts, contains not only nursery rhymes and folk songs but also classical recital pieces for two violas to help learners improve their ability to read music. They will become acquainted with dotted notes, 16th notes (semiquavers) and their first double stops as well as with changing between high and low finger positions.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe volume is pioneering with its early introduction of playing in different positions: by combining finger patterns, the cornerstone of good scale technique, learners can play major and minor scales in every position without using open strings – and this often in the very first year of lessons! This allows them to transpose the familiar nursery rhymes they have already mastered into other keys and higher positions. Together with the beginning shifting exercises, it provides a solid basis for early virtuosity – a great advantage offered by no other tutor in the same way.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe authors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 1976 Egon Sassmannshaus, one of the most experienced and renowned violin teachers in Germany, published his tutor “Früher Anfang auf der Bratsche”. This standard work for young string players quickly became the most popular and best-selling tutor in the German-speaking countries for beginners on the viola. His son Kurt Sassmannshaus functioned as co-editor of the English-language edition, “Early Start on the Viola” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9686\/\"\u003eBA 9686\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9687\/\"\u003eBA 9687\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9688\/\"\u003eBA 9688\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9689\/\"\u003eBA 9689\u003c\/a\u003e\u003cspan\u003e), adapting his father's successful tutor to meet the needs and requirements of English-speaking children.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe combined knowledge and experience of both father and son make these four volumes the most thoroughly researched and thought-through viola tutor for beginners all over the world.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749456465,"sku":"BA09687","price":26.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_230a4f99-7850-49b4-ae97-93227b3851ca.jpg?v=1600151360"},{"product_id":"rossini-barber-of-seville-vs-ba10506-92","title":"Rossini The Barber of Seville -Commedia in due atti (comedy in two acts)-","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Brauner, Patricia B.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eArranger:\u003c\/strong\u003e Baumann, Rasmus\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e Voc.\/Ch\/Orch\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLanguage(s) of work:\u003c\/strong\u003e I\/GB\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e vocal score, Urtext edition\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Hardback\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XIII, 517  - 27,5 x 20,0 cm\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749358161,"sku":"BA10506-92","price":70.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_201e29e5-6298-4240-9c4b-d3ec1cf1dd2a.jpg?v=1600151361"},{"product_id":"bach-overture-b-minor-bwv1067-tp00193","title":"Bach Overture (Orchestral Suite) B minor BWV 1067 Study Score","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Besseler, Heinrich \/ Grüß, Hans\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e Fl-solo\/Orch\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e study score, Urtext edition\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XII, 24  - 22,5 x 16,5 cm\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749587537,"sku":"TP00193","price":13.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_dcb2d2fd-9050-4e1b-a11f-e9ae797e4578.jpg?v=1600151362"},{"product_id":"balkan-13-arr-variable-instr-ba06700","title":"Balkan 13 Arrangements for Variable Instrumentation","description":"\u003cp\u003e\u003cstrong\u003eArranger:\u003c\/strong\u003e Hoorn, Paul\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e Instr-Mel1\/Instr-Mel2\/piano\/Instr-Harm\/Vc\/double bass\/Voc.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e score, set of parts\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 40\/8\/8\/8\/8\/8\/8\/8\/8  - 30,0 x 23,0 cm\u003c\/p\u003e\u003cdiv\u003e The Balkans offers a wealth of musical styles and with it ideal material for a collection of pieces for variable scorings. In this publication instrumentals and songs alternate, usually with a melody part, an accompanying part, chords and bass. Hints on how percussion instruments can be used have also been included.\u003cbr\u003e\r\n \u003cbr\u003e\r\n Dynamic dance pieces are followed by lyrical melodies, capricious songs and unusual rhythms; music from the Klezmer and Roma traditions is found throughout. The collection offers small groups who are looking for something special an unusual and varied  programme.     \u003cbr\u003e\r\n \u003cbr\u003e\r\n \u003cbr\u003e\r\n - Music from different Balkan cultures\u003cbr\u003e\r\n - 12 arrangements for variable ensemble\u003cbr\u003e\r\n - The edition includes parts for melodies I and II in C, B-flat and E-flat, a chord as well as  a bass part\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749489233,"sku":"BA06700","price":33.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/std_01.gif.pagespeed.ce.n__RccCSo7.gif?v=1600151363"},{"product_id":"bach-cantata-herr-gott-dich-tp01130","title":"Bach Lord God, we praise Thee all of us BWV 130 -Cantata for the Feast of St. Michael- Study Score","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Helms, Marianne\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e SSolo\/ASolo\/TSolo\/BSolo\/Mixed choir-SATB\/Fl\/3Ob\/3Trp.Str\/Bc\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e study score, Urtext edition\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 22,5 x 16,5 cm\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749554769,"sku":"TP01130","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_d5393425-5e55-48b6-8885-1f93b5fdd315.jpg?v=1600151363"},{"product_id":"sassmanhaus-viola-v-1-early-ba09686","title":"Sassmannshaus Early Start on the Viola, Volume 1 -A viola method for children age vier and older-","description":"\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Va\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLanguage(s) of text:\u003c\/strong\u003e GB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 64\/ 2 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e\n\u003cspan\u003eAfter beginning with open strings and simple note values, learners become acquainted with the 'cuckoo call' (minor 3rd) as a basic interval for guidance purposes and for mastering good intonation. Volume 1 makes use of nursery rhymes, all of which are supplied with words to ensure that the melody lines can be easily grasped as a whole. All the fingers are introduced in succession, as well as simple accidentals and note values from whole note (semibreve) to eighth note (quaver). From the very beginning the volume places a special emphasis on reading musical notation and offers training in moving from one string to another and basic bowing strokes. Large print and delightful colour illustrations make the volume especially appealing to children. Enclosed is a sheet of cut-out musical cards that allow young learners to invent many puzzle and guessing games and later to master scales and pitch names.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTo accompany this volume we recommend “Spielbuch für Streicher” ('Recital Pieces for String Ensemble', \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9698\/\"\u003eBA 9698\u003c\/a\u003e\u003cspan\u003e) and “Weihnachtsspielbuch” ('Christmas Pieces for String Ensemble', \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9699\/\"\u003eBA 9699\u003c\/a\u003e\u003cspan\u003e), both edited by Egon Saßmannshaus. They give even the youngest learners an opportunity to try their hand at string ensemble playing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe authors\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIn 1976 Egon Sassmannshaus, one of the most experienced and renowned violin teachers in Germany, published his tutor “Früher Anfang auf der Bratsche”. This standard work for young string players quickly became the most popular and best-selling tutor in the German-speaking countries for beginners on the viola. His son Kurt Sassmannshaus functioned as co-editor of the English-language edition, “Early Start on the Viola” (\u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9686\/\"\u003eBA 9686\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9687\/\"\u003eBA 9687\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9688\/\"\u003eBA 9688\u003c\/a\u003e\u003cspan\u003e, \u003c\/span\u003e\u003ca href=\"https:\/\/www.baerenreiter.com\/en\/shop\/product\/details\/BA9689\/\"\u003eBA 9689\u003c\/a\u003e\u003cspan\u003e), adapting his father's successful tutor to meet the needs and requirements of English-speaking children.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe combined knowledge and experience of both father and son make these four volumes the most thoroughly researched and thought-through viola tutor for beginners all over the world.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749522001,"sku":"BA09686","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_cfb8b4fb-6c72-4126-acc1-1fbce3cf5018.jpg?v=1600151364"},{"product_id":"18th-century-continuo-playing-ba08177","title":"18th Century Continuo Playing: A Historical Guide to the Basics","description":"\u003cp\u003eIn recent years, efforts to achieve interpretations that do justice to the criteria of historical performance practice have become\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ede rigueur\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein the world of early music.\u003c\/p\u003e\n\u003cp\u003eNot only has this affected the instruments and performance techniques used by soloists, it also impinges on the musical foundation: the accompaniment. in his figured bass tutor Jesper Bøje Christensen, a teacher at the Schola Cantorum in Basle, shows readers how to produce stylistically accurate figured bass realizations, whether written beforehand or improvised in performance. He has taken an unusual approach: the various figured bass manuals of the early eighteenth century by Dandrieu, St. Lambert, Heinichen, Telemann and others are clearly organized and logically structured and contain practical tips for playing from a figured bass. Christensen has put these sources together and added comments and written-out examples of his own.\u003c\/p\u003e\n\u003cp\u003eIn this way his tutor not only shows how musicians played at the time, but takes a further step of crucial importance: it succinctly summarizes the way figured bass was taught and studied, thereby creating models for players today.\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749653073,"sku":"BA08177","price":60.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_c78dbabc-8ec5-4ebd-b012-ece1e5fe9d25.jpg?v=1600117440"},{"product_id":"mendelssohn-v1-comp-organ-work-ba08196","title":"Mendelssohn New Edition of the Complete Organ Works, Volume 1","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Albrecht, Christoph\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Anthology, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e VI, 121 - 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Many works previously thought to be missing are included. 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This volume presents the Urtext of one of Bach's most popular and beloved cantatas. 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Anchor che co'l partire\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Cembalo, Klavier\u003cbr\u003e\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749882449,"sku":"BA01781","price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_aa8d0a05-afbc-424a-9e5f-07dbf23f223f.jpg?v=1706822642"},{"product_id":"frescobaldi-organ-works-v1-ba02201","title":"Frescobaldi Fantasien (1608), Canzoni alla Francese (1645)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Pidoux, Pierre\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\/piano\/harpisc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Anthology\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 78 - 24,0 x 32,4 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eThe fantasias appeared in 1608. Frescobaldi dedicated this, his first published work to his patron Francesco Borghese, who gave these fantasias special attention.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOnly one specimen of the original edition is now known; there are further two extant manuscript copies, one of them complete in the hand of Bernadino Pasquini.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThough the pieces are printed “in partitura”, that is with each of the four parts on a separate stave, they are nonetheless intended by the composer for a keyboard instrument. Thanks to the reliability of the printed edition, the transcription into modern notation (on two staves) could be achieved without special difficulty. In one place, however, where neither the first edition nor Pasquini’s copy make Frescobaldi’ s intentions sufficiently clear, the partitura is given as it is found in the model. The following are editorial additions: all accidentals printed small and off the stave, also the letters to denote the parts and the connecting strokes to elucidate the part-writing.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eFantasien 1608: Nr. 1-3 Sopra un sogetto\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 4-6 Sopra doi sogetti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 7-9 Sopra trè sogetti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 10-12 Sopra quattro sogetti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eCanzonen 1645: Nr. 1 detta La Rovetta\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 2 detta La Sabbatina\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 3 detta LaCrivelli\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 4 detta La Scacchi\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 5 detta La Bellerofonte\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 6 detta La Pesenti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 7 detta La Tarditi\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 8 detta La Vincenti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr.9 detta La Querina\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 10 detta La Paulini\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 11 detta La Gardana\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749915217,"sku":"BA02201","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_38506930-5c76-4eef-834f-986be572abbb.jpg?v=1706822626"},{"product_id":"frescobaldi-organ-works-v2-ba02202","title":"Frescobaldi Das erste Buch der Capricci, Ricercari und Canzoni von 1626","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Pidoux, Pierre\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\/piano\/harpisc.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score, Anthology\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 94 - 24,0 x 32,3 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eHis contemporaries praised Frescobaldi as an organist, improviser and composer of exceptional talent. His first book of Capricci, Ricercari and Canzoni 1626 is presented here in an authentic version.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe work was published during the composer’s lifetime and moreover, without alteration by Vincenti in Venice, 1942. This edition is based on the edition of 1942 as its main source; in doubtful passages the editors compare with earlier editions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe four parts which Frescobaldi printed in score on four staves have been reduced to two staves, but endeavouring to show the progression of parts as clearly as possible where they cross. Frecobaldi’s very informatory Preface “A gli Studiosi dell’ opera” is given in full, translated in English and German.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eCapricci: Nr. 1 Ut, Re, Mi, Fa, Sol La\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 2 La, Sol, Fa, Mi, Re, Ut\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 3 sopra la il Cucho\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 4 La, Sol, Fa, Re, Mi\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 5 sopra la Bassa Fiamenga\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 6 sopra la Spagnoletta\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 7 Cromatico con ligature al contrario\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 8 di durezze\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 9 sopra un sogetto\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 10 di obligo di cantare la quinta parte senza toccarla\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 11 sopra l' aria di Ruggiero\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 12 sopar l'ària \"Or chè noi rimena\"\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eRicercar: Nr. 1-3 ohne weitere Bezeichnung\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 4 Mi, Re, Fa, Mi\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 5 ohne weitere Bezeichnung\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 6 Fa, Fa, Sol, La, Fa\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 7 Sol, Mi, Fa, La, Sol\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 8 obligo di non uscir di grado\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 9 con quattro sogetti\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eNr. 10 La, Fa, Sol, La, Re\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e·\u003cbr\u003eComposer \/ Author:\u003cbr\u003eFrescobaldi, Girolamo\u003cbr\u003eCanzonen Nr. 1-5\u003cbr\u003eInstrumentation:\u003cbr\u003eOrgel, Klavier, Cembalo\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749947985,"sku":"BA02202","price":42.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_7d7694af-58b5-44ff-b9fc-6095ca6cca2a.jpg?v=1706822624"},{"product_id":"bach-klavierbuchlein-fur-wilhe-ba05021-01","title":"Klavierbüchlein für Wilhelm Friedemann -Klavierwerke, Band 5-","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Plath, Wolfgang\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e piano\/harpisc.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e complete edition, Performance score, Anthology, Urtext edition\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Linen\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XI, 119  - 33,0 x 26,0 cm\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530749980753,"sku":"BA05021-01","price":146.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/files\/BA05021_01_9790006461837_co_lrg_01.jpg?v=1706912144"},{"product_id":"bach-6-wurttemberg-sonatas-wq-ba06498","title":"C.P.E. Bach: The 6 Wüttenberg Sonatas, Wq. 49","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Steglich, Rudolf\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e Performance score\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Stapled\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e 53 - 30,0 x 23,0 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\"\u003e \u003cspan\u003eCarl Philipp Emanuel Bach's “Württemberg Sonatas” – named after their dedication to Carl Eugen Duke of Würt­temberg who studied with Bach at the court of Frederick the Great in Berlin – were published in 1744. Together with the “Prussian Sonatas” edited two years before, the “Württemberg Sonatas” are undoubtedly the most significant German piano compositions from the time between Johann Sebastian Bach and Joseph Haydn. They are regarded as main works among the general piano art music and clearly stand out from the expressive and playful rococo style of that time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe publication of the “Württemberg Sonatas” edited by Rudolf Steglich in 1928 is a perfect example for consider­ing musicological as well as performance practical aspects within one edition. With this present special edi­tion, the publisher complies with the request for a republication of the Sonatas which have been unavailable for a long time.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530750046289,"sku":"BA06498","price":29.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_4a1dbb2e-b839-4bed-8274-0389cadd903e.jpg?v=1600151374"},{"product_id":"bach-6-prussian-sonatas-wq-48-ba06539","title":"C. P. E. 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Together with the „Württemberg Sonatas” dedicated to Duke Karl Eugen of Württemberg, which were published two years later, the “Prussian Sonatas” constitute the most important German keyboard music between Johann Sebastian Bach and Haydn. They rise far above the contemporary fashion for the sentimental or playful Rococo; they are heralds of the spirit of the “Sturm und Drang” in music and can be said belong to the highpoints of all piano music.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe publication of the “Prussian Sonatas” edited by Rudolf Steglich in 1928 is a good example for the consideration of musicological as well as practical performance aspects within one edition. With this present special edition, the publisher complies with the request for a reprint of the So­natas which have been unavailable for a long time.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530750079057,"sku":"BA06539","price":26.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_de9482b1-6278-43ec-a289-3970d8062ff8.jpg?v=1600151375"},{"product_id":"bach-8-concertos-bwv-1052-1059-ba05090-01","title":"Bach Concertos for Cembalo BWV 1052-1059","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Breig, Werner\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eOrchestral scoring\n:\u003c\/strong\u003e harpisc.-Solo\/Str\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e complete edition, score, Urtext edition, Anthology\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Linen\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XIV, 367  - 33,0 x 26,0 cm\u003c\/p\u003e","brand":"BARENREITER - 345062","offers":[{"title":"Default Title","offer_id":32530750144593,"sku":"BA05090-01","price":469.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0248\/3598\/1393\/products\/lrg_01_586f7552-a59c-4273-b6ee-f66020ef5a2d.jpg?v=1600151376"},{"product_id":"froberger-complete-works-v-1-ba08063","title":"Froberger New Edition of the Complete Keyboard and Organ Works, Volume 1 Libro Secondo (1649)","description":"\u003cp\u003e\u003cstrong\u003eEditor:\u003c\/strong\u003e Rampe, Siegbert\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOrchestral scoring :\u003c\/strong\u003e Org\/piano\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProduct format:\u003c\/strong\u003e complete edition, Anthology, Performance score, Urtext edition\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBinding:\u003c\/strong\u003e Paperback\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePages \/ Format:\u003c\/strong\u003e XLVIII, 92 - 24,0 x 30,5 cm\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta content=\"text\/html; charset=utf-8\" http-equiv=\"content-type\"\u003e \u003cspan\u003eThe New Froberger Edition offers professional musicians, musicologists as well as interested amateurs alike a musical text that meets the needs of performers while supplying a comprehensive account of all the known sources and their origins.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIt includes many works newly discovered by the editor. 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